Adorno's Poetics of Form. This item is unavailable.
Language: English
Published by State University of New York Press, US, 2019
Series: Book 114 of 158 - SUNY series in Contemporary Continental Philosophy
- Softcover
- New

Seller: Rarewaves.com USA, London, London, United KingdomRarewaves.com USA
AbeBooks seller since June 11, 2025
Condition: New
US$ 40.81
Item description from seller
A critical study of the concept of form in Adorno's writings on art and literature.Adorno's Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adorno's writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adorno's work that has remained unsolved for several decades, and in doing so sets out the consequences of Adorno's poetics for literary and critical theory today.
Seller Inventory # LU-9781438469843
- Title
- Adorno's Poetics of Form
- Author
- Josh Robinson
- Publisher
- State University of New York Press, US
- Publication year
- 2019
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1438469845
- ISBN 13
- 9781438469843
- Item weight
- 399 grams
- Series
- Book 114 of 158: SUNY series in Contemporary Continental Philosophy
A critical study of the concept of form in Adorno's writings on art and literature.
Adorno's Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adorno's writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adorno's work that has remained unsolved for several decades, and in doing so sets out the consequences of Adorno's poetics for literary and critical theory today.
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