Since its launch in 1999, Afterall, a journal of art, context, and enquiry, has offered in-depth considerations of the work of contemporary artists, along with essays that broaden the context in which to understand it. Published three times a year, Afterall also features essays on art history and critical theory.

Issue 38 examines notions of materiality and historicity in current practices through the work of James Richards, Sharon Hayes, R. H. Quaytman, and the Johannesburg-based collective Center for Historical Reenactments. Joao Ribas looks at the origins of the monographic exhibition, while Marcus Verhagen discusses issues of translation in recent practice.

About the Author

Helena Vilalta is a curator and critic based in London. Melissa Gronlund is managing editor of Afterall. She teaches at the Ruskin School of Drawing and Fine Art, University of Oxford. Pablo Lafuente is co-editor of Afterall and Afterall's Exhibition Histories book series. He is also a Reader at Central Saint Martins, and co-curator of the 31st Bienal de S�o Paulo, in 2014. Anders Kreuger is co-editor of Afterall and curator at M HKA, the Museum of Contemporary Art Antwerp. Zachary Cahill is a Lecturer and the Open Practice Committee coordinator in the Department of Visual Arts at the University of Chicago.

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