The Album

In this twisty whodunit from "the grand dame of American crime fiction" (CrimeReads), the murder of a wealthy widow brings the secrets of her aristocratic neighbors to light.

Even in the early 1930s, Crescent Place is a neighbourhood out of the past. The five Victorian mansions and the remote patch of pasture placed between them have the air of the 1890s, even as the city—once miles away from this idyllic retreat—encroaches and surrounds the enclave. But while these rarefied residences may appear calm on the outside, their isolated interiors contain dark secrets, prolonged feuds and generations of high-toned trouble.

In these houses are a husband and wife who fight constantly and another couple who hasn’t spoken to each other in two decades. There is a widow in permanent mourning and a daughter whom the newspapers call psychotic. And there is a bedridden old woman who is about to be killed with an axe.

When her murder shatters the well-mannered quiet of the cul-de-sac, the tabloids delight in trumpeting Crescent Place’s peculiarities. But as the search for the killer intensifies, it becomes clear that the area’s strangest secrets have yet to be revealed.

A suspenseful mystery enriched by sly social satire and set against the backdrop of the Great Depression, The Album is a memorable whodunnit from one of the most beloved and best selling authors of the Golden Age era.

Mary Roberts Rinehart (1876–1958) was the most beloved and best-selling mystery writer in America in the first half of the twentieth century. Born in Pittsburgh to the owner of a sewing machine factory, she wrote fiction in her spare time until a stock market crash sent her and her husband into debt, forcing her to lean on her writing to pay the bills. Her first two novels, The Circular Staircase (1908) and The Man in Lower Ten (1909), established her as a bright young talent, and it wasn’t long before she was a regular on bestseller lists. Among her dozens of novels were The Amazing Adventures of Letitia Carberry (1911) and The Bat (1932), which was among the inspirations for Bob Kane’s Batman. Today, Rinehart is often called an American Agatha Christie, even though she was much more popular than Christie during her heyday.