America First: Naming the Nation in US Film

ISBN 10: 0415374960 / ISBN 13: 9780415374965

Published by Routledge, 2007

About this Item

A collection of essays which tackles with understanding how US understands itself by examining some of US films that announce themselves as titularly 'American'. It contains analysis of such films as "The Vanishing American, American Madness, An American in Paris, American Graffiti," "American Gigolo, American Pie", and many more. Editor(s): Merck, Mandy. Num Pages: 328 pages, 6 black & white halftones. BIC Classification: GT. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 18. Weight in Grams: 453. . 2007. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Seller Inventory # V9780415374965

Bibliographic Details

• Title: America First: Naming the Nation in US Film
• Publisher: Routledge
• Publication Date: 2007
• Language: English
• ISBN 10: 0415374960
• ISBN 13: 9780415374965
• Binding: Soft cover
• Condition: New

About this title

Synopsis

At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever.

This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana.

What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed?

Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.

About the Author

Mandy Merck is Professor of Media Arts at Royal Holloway, University of London. She is the author of Perversions: Deviant Readings (1993), In Your Face: Nine Sexual Studies (2000) and Hollywood's American Tragedies (forthcoming 2007). She is editor of After Diana (1998) and co-editor of Coming Out of Feminism (1998) and The Art of Tracey Emin (2002).