American Fairy Tales: From Rip Van Winkle to the Rootabaga Stories
Language: English
Published by Little, Brown Books for Young Readers, 1996
- Hardcover
- Used

Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas
AbeBooks seller since July 2, 2009
Condition: Used - Very good
US$ 6.72
Quantity: 1 available
Add to basketItem description from seller
Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller Inventory # G0786802073I4N10
- Title
- American Fairy Tales: From Rip Van Winkle to the Rootabaga Stories
- Author
- Neil Philp
- Publisher
- Little, Brown Books for Young Readers
- Publication year
- 1996
- Condition
- Very Good
- Dust jacket
- No Jacket
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0786802073
- ISBN 13
- 9780786802074
- Item weight
- 1.65 pounds
"Synopsis" may belong to another edition of this title.
Reviews
Judith L. Miller, formerly at Indianapolis-Marion County Public Library, IN
Copyright 1996 Reed Business Information, Inc.
once upon a time in america While fairy tales are usually associated with European sources like the Brothers Grimm, American Fairy Tales: From Rip Van Winkle to the Rootabaga Stories, edited by Neil Philip, preface by Alison Lurie, illus. by Michael McCurdy, defines a unique heritage on this side of the Atlantic. The selections include both familiar and little-known tales by Nathaniel Hawthorne, Louisa May Alcott, L. Frank Baum and, as the title suggests, Washington Irving and Carl Sandburg. McCurdy's dramatic black-and-white woodcut prints add an eerie edge to the distinctive stories, which are a cut above the more usual, normalizing fairy tale retellings. Headnotes for each story provide brief biographies of the authors.
Copyright 1996 Reed Business Information, Inc.
From the pair behind Singing America (1995), a gathering of a century's worth of stories that defy well-known European fairy tale conventions. In an impassioned afterword, Philip writes, ``One of the defining themes of the American fairy tale is this sense that ordinary life is something the fairy tale hero must learn to value and enjoy, rather than something from which he must escape.'' He includes works by writers such as L. Frank Baum, Nathaniel Hawthorne, and Louisa May Alcott, as well as lesser-knowns (Ruth Plumly Thompson and the anonymous M.S.B., among them), who penetrated the heart of American culture by creating characters who relied on inner strength and discovery rather than other-worldly magic. Glass slippers, castles, and class differences aside, Washington Irving, Howard Pyle, and Carl Sandburg remythologized the traditional stories by asserting that the challenge and bounty of America provided more than enough setting and inspiration. Whether readers recall these stories from English classes or discover them anew, they will see in the texts the promise and potential of an untarnished America. McCurdy's precise black-and- white woodcuts perfectly capture the idiomatic spirit of stories from Kansas to Kalamazoo to Rootabaga Country, and help Philip make the case for the genre that other collections have danced around without naming, the American fairy tale. With a preface by Alison Lurie. (Fiction. 10+) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
Gr. 6^-8, younger for reading aloud. A patriotic-looking jacket with blue stars and red stripes adorns this collection of 12 stories drawn from an American literary tradition that includes such characters as bee-men, goose-girls, kings, fairies, and wizards. Editor Philip provides an introductory essay about the "American fairy tale" and briefly introduces each selection. Children might tend to mistake this for a history text and avoid it, but teachers and parents will appreciate the variety of stories and the roundup of famous writers, including Hawthorne, Sandburg, Alcott, and Baum. McCurdy's woodcut illustrations give the stories a sense of the past yet still allow plenty of room for fantasy. The tales will make pleasant read-alouds, but a few contain language or allusions that now seem racist or sexist; for example, Hawthorne's Feathertop wears "the Black Man's wardrobe," which is equated to the devil's clothes. Source notes and related readings are appended. Karen Morgan
"About the title" may belong to another edition of this title.
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