American Musicspheres - Fiddler On the Moon: Exploring the Klezmer World

Mark Slobin (Author & Series Editor)

ISBN 10: 019513124X / ISBN 13: 9780195131246

Published by Oxford University Press, Oxford, England, UK, New York, et al., 2000

About this Item

153 pp. CD included! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially flawless copy with crisp pages, clean text, and very light shelf wear. Dust jacket shows minimal wear around edges.

Seller Inventory # 2iiiBe0040

Bibliographic Details

• Title: American Musicspheres - Fiddler On the Moon: Exploring the Klezmer World
• Publisher: Oxford University Press, Oxford, England, UK, New York, et al.
• Publication Date: 2000
• Language: English
• ISBN 10: 019513124X
• ISBN 13: 9780195131246
• Binding: Hardcover
• Illustrator: Ed Atkeson/Berg Design (Jacket Design); Ruth Gruber (Jacket Photo)
• Edition: Copyright © 2000/2nd Printing
• Condition: Like New
• Dust Jacket Condition: Very Good
• Seller catalogs:
  • Music, Contemporary & Modern Music
  • Music, Music History & Studies, Musicology, etc.
  • Jewish Literature, Culture & Studies, Judaism

About this title

Synopsis

"Klezmer" is a Yiddish word for professional folk instrumentalist-the flutist, fiddler, and bass player that made brides weep and guests dance at weddings throughout Jewish eastern Europe before the culture was destroyed in the Holocaust, silenced under Stalin, and lost out to assimilation in America. Klezmer music is now experiencing a tremendous new spurt of interest worldwide with both Jews and non-Jews recreating this restless volatile, and vibrant musical culture. Firmly centered in the United States, klezmer has paradoxically moved back across the Atlantic as a distinctly "American" music, played throughout central and eastern Europe, as well as in many other parts of the world.
Fiddler on the Move places klezmer music squarely within American music studies, cultural studies, and ethnomusicology. Neither a chronology nor a comprehensive survey, the book describes a variety of approaches and perspectives for coming to terms with the highly diverse array of activities found under the klezmer umbrella. Bringing to his subject the insights of an accomplished ethnomusicologist, Slobin addresses such questions as: How does klezmer overlap with, and differ from, the many other contemporary "heritage" musics based on an assumed connection with a group identity and links to a tradition? How do economics, artistic expression, and the evocation of the past interact in motivating klezmer performers and audiences? In what kinds of environment does klezmer flourish? How do stylistic features such as genre, form, and ornamentation help to define the technique, affect, and aesthetic of klezmer? Featuring a music CD with many of the archival and contemporary recordings discussed in the text, this fascinating study will interest scholars, students, musicians, and music lovers

About the Author

Mark Slobin is Professor of Music and Chair of the Department of Music at Wesleyan University. A former president of the Society of Ethnomusicology, Mark Slobin is also the author of Subcultural Sounds: Micromusics of the West, Chosen Voices: The Story of the American Cantorate, and Tenement Songs: The Popular Music of the Jewish Immigrants.