Through three sections discussing occupation and resistance, diaspora, migration, and refugees, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage.

This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.

About the Author

Roaa Ali is Lecturer in Creative and Cultural Industries at the University of Manchester, UK.

George Potter is Associate Professor in the Department of English and the Walter G. Friedrich Professor of American Literature at Valparaiso University, Indiana, USA.

Samer Al-Saber is Assistant Professor of Theatre and Performance Studies at Stanford University, USA. He is a member of the faculty at the Center for the Comparative Study of Race and Ethnicity (CCSRE) and the Abbasi Program in Islamic Studies.

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