Architecture and Cubism (Centre Canadien d'Architecture/Canadian Centre for Architecture)

Blau, Eve [Editor]; Troy, Nancy J. [Editor];

ISBN 10: 0262024225 / ISBN 13: 9780262024228

Published by The MIT Press, 1997

About this Item

MIT Press, [Published date: 1997]. Hard Cover. First printing with full number line. Very good in very good dust jacket. Black cloth-covered boards with white lettering on front and spine. Light bumping and scuffing to edges and corners of covers Binding tight. Pages clean and unmarked. Dust jacket has a few tiny nicks and light creasing along edges. Light overall scuffing to jacket as well. Now in an archival quality Brodart cover. NOT Ex-Library. No remainder marks. Black and white illustrations throughout.

Seller Inventory # 20160127007

Bibliographic Details

• Title: Architecture and Cubism (Centre Canadien d'Architecture/Canadian Centre for Architecture)
• Publisher: The MIT Press
• Publication Date: 1997
• Language: English
• ISBN 10: 0262024225
• ISBN 13: 9780262024228
• Binding: Hardcover
• Condition: Very Good
• Dust Jacket Condition: Very Good

About this title

Synopsis

A fundamental tenet of the historiography of modern architecture holds that cubism forged a vital link between avant-garde practices in early twentieth-century painting and architecture. This collection of essays, commissioned by the Canadian Centre for Architecture, takes a close look at that widely accepted but little scrutinized belief. In the first historically focused examination of the issue, the volume returns to the original site of cubist art in pre-World War I Europe and proceeds to examine the historical, theoretical, and socio-political relationships between avant-garde practices in painting, architecture, and other cultural forms, including poetry, landscape, and the decorative arts. The essays look at works produced in France, Germany, the Netherlands, and Czechoslovakia during the early decades of the twentieth century.Together, the essays show that although there were many points of intersection -- historical, metaphorical, theoretical, and ideological -- between cubism and architecture, there was no simple, direct link between them. Most often the connections between cubist painting and modern architecture were construed analogically, by reference to shared formal qualities such as fragmentation, spatial ambiguity, transparency, and multiplicity; or to techniques used in other media such as film, poetry, and photomontage. Cubist space itself remained two-dimensional; with the exception of Le Cobusiers work, it was never translated into the three dimensions of architecture. Cubism's significance for architecture also remained two-dimensional -- a method of representing modern spatial experience through the ordering impulses of art.Copublished with the Canadian Centre for Architecture/CentreCanadien d'Architecture

About the Author

Eve Blau is Lecturer in Architecture at the Graduate School of Design, Harvard University.