The Most Arrogant Man In France: Gustave Courbet & The Nineteenth Century Media Culture

Chu, Petra Ten-Doesschate

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ISBN 10: 0691126798 ISBN 13: 9780691126791
Published by Princeton University Press, Princeton 2007, 2007
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29.0 x 21.0cms, 238pp, b/w & colur illusts, very good+ hardback & dustwrapper The chapters are: Courbet & the press; posing; Courbet's pantheon; salon rhetoric; bisextuality; packaging & marketing nature. Seller Inventory # 196596

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A comprehensive reinterpretation of the pioneering and media-savvy artist

The modern artist strives to be independent of the public's taste—and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press.

The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell—and not only make—his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider. Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women.

And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists.

About the Author: Petra ten-Doesschate Chu is the editor and translator of The Letters of Gustave Courbet and the author of many books, including Nineteenth-Century European Art. The recipient of numerous awards, including a Guggenheim Fellowship, she is the founder and managing editor of the journal Nineteenth-Century Art Worldwide.

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Bibliographic Details

Title: The Most Arrogant Man In France: Gustave ...
Publisher: Princeton University Press, Princeton 2007
Publication Date: 2007
Binding: Hardcover
Dust Jacket Condition: Dust Jacket Included

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Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st. Cloth, x, 238 pages, illustrations (some colour); 29 cm. Near fine. Gently browsed, clean copy. First Edition, First Printing. Dust jacket protected in a mylar cover. *** "The modern artist strives to be independent of the public's taste--and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. InThe Most Arrogant Man in France, the first comprehensive reinterpretation of Courbet in a generation, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press.The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell--and not only make--his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider. Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists." - Publisher. Size: 4to. Collectible. Seller Inventory # 057837

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29.0 x 21.0cms 238pp b/w & colur illusts very good+ hardback & dustwrapper The chapters are: Courbet & the press; posing; Courbets pantheon; salon rhetoric; bisextuality; packaging & marketing nature. Seller Inventory # 30052420

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