Ars Edendi Lecture Series vol. IV
Language: English
Published by Stockholm University Press, 2016
- Softcover
- New

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- Title
- Ars Edendi Lecture Series vol. IV
- Author
- Jensen, Brian M
- Publisher
- Stockholm University Press
- Publication year
- 2016
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 9176350398
- ISBN 13
- 9789176350393
The Ars Edendi Lectures have been organized by the research programme at Stockholm University funded by Riksbankens Jubileumsfond during the years 2008-2015, with a focus on editorial methods for dynamic textual traditions of medieval Greek and Latin texts.
This fourth volume gathers contributions both on the fundamentals of editing, as in Glenn Most 'What is a critical edition?', and looking at specifi cs such as marginalia (Teeuwen), errors (Maggioni), musical notation (Atkinson). Two papers focus on digital tools in editing Greek (Dendrinos) and Latin and early Romance (Robinson) texts. Richard Janko describes the challenges in making out words in Herculaneum papyri. Both traditional and innovative approaches are contemplated in this rich and varied collection by leading experts in the field of editing.
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About the Author
Barbara Crostini has a D. Phil. In Byzantine Studies from Oxford University. She worked as a member of the Ars edendi project 2010- 2015 on an electronic edition of a Byzantine illuminated psalter with catena commentary. She convened an international workshop about this manuscript in Rome now published as A Book of Psalms from Eleventh-Century Byzantium: the Complex of Texts and Images in Psalter Vat. gr. 752: Proceedings of an Ars edendi Workshop, Rome, 11-13 June 2012, co-edited with G. Peers, Studi e Testi (Vatican City, 2016). She is currently Assistant Professor in Greek at the Department of Linguistics and Philology, Uppsala University. ORCID: 0000-0001-9138-1766
Gunilla Iversen is Professor and former Chair of Latin at Stockholm University, leader of the Ars edendi Research Programme. Editor of the Corpus Troporum volumes of Ordinary tropes to the Sanctus, Agnus Dei, and Gloria, and co-editor of the Proper tropes to the feasts in the Easter cycle. She has published innumerable scholarly articles on medieval liturgical poetry as well as articles and translations dealing with the texts of Hildegard of Bingen and Catullus. With Marie-Noël Colette she is the author of La parole chantée. Invention poétique et musicale dans le Haut Moyen Âge occidentale (Turnhout 2014). ORCID: 0000-0002-2556-5740
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