Title: The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives
Publisher: Kessinger Legacy Reptrint of the Simon and Shuster 1946 edition, 2010
Publication Date: 2010
Language: English
ISBN 10: 1163161586
ISBN 13: 9781163161586
Binding: Soft cover
Condition: near fine

About this title

Synopsis

The Art of Dramatic Writing by Lajos Egri is a comprehensive guide for aspiring playwrights and screenwriters. The book focuses on the creative interpretation of human motives as the basis for effective dramatic writing. Egri argues that understanding the psychology of characters is essential for crafting compelling stories that resonate with audiences. He provides numerous examples from classic plays and films to illustrate his points and offers practical advice on how to develop characters, plot, and dialogue. The book also includes exercises and assignments to help writers apply the principles of dramatic writing to their own work. Overall, The Art of Dramatic Writing is a valuable resource for anyone interested in mastering the craft of storytelling for the stage or screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Review

For many years, Lajos Egri's highly opinionated but very enjoyable The Art of Dramatic Writing has been a well-guarded secret of playwrights, scriptwriters, and writers for television. Unlike many other books on playwrighting (several of which Egri criticizes during the course of this one), the author's systematic breakdown of the essentials for creating successful realistic plays and screenplays effectively demystifies the process of creative writing. Egri, who formulated his thoughts about "a well-made play" during its heyday (the 1940s and '50s), places a premium on an exhaustive analysis of characters and discussion of their psychological motivations. The writer is exhorted to find a premise to explore and to discover which characters will most effectively demonstrate this thesis, then is shown how most effectively to place them into conflict with each other. Conflict itself is also discussed, particularly how to create scenarios in which the crisis develops at a pace that feels unforced and natural. While Egri's view of the well-made play has little space for either the spare musings of Beckett and Pinter or the conscious excesses of non-narrative and other experimental writing, it nonetheless remains an essential text for writers drawn to realistic drama, and to any writer interested in the fundamental motivations of human behavior. --John Longenbaugh

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