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Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G013091830XI5N00
“Art mattered in the Renaissance... People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives,” write the authors of this important new look at Italian Renaissance art. A glance at the pages of Art in Renaissance Italy shows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other kinds of art came to be. This book discusses how men and women of the Renaissance regarded art and artists as well as why works of Renaissance art look the way they do, and what this means to us. It covers not only Florence and Rome, but also Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples—each governed in a distinctly different manner, every one with its own political and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art works that are its enduring legacy. For enthusiasts of Italian Renaissance art.
About the Author:
John T. Paoletti is Professor of the History of Art at Wesleyan University in Middletown, Connecticut. Educated at Yale, he has published widely, including Collaboration in Italian Renaissance Art (co-editor and contributor, 1978), The Siena Baptistery Font (1979), and Art as Culture (1986). He was formerly editor-in-chief of The Art Bulletin of the College Art Association in the United States of America.
Gary M. Radke is a Renaissance specialist at Syracuse University and a fellow of the American Academy in Rome. He holds degrees from Syracuse University, Michigan State University, and New York University's Institute of Fine Arts. He is the author of Viterbo: Profile of a Thirteenth-Century Papal Palace (1997) and a guest curator for exhibitions of Italian art at the High Museum of Art, Atlanta, Georgia.
Title: Art in Renaissance Italy (2nd Edition)
Publisher: Prentice Hall
Publication Date: 2001
Binding: Paperback
Condition: Fair
Dust Jacket Condition: No Jacket
Edition: 2nd Edition
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00089581355
Seller: Book Alley, Pasadena, CA, U.S.A.
paperback. Condition: Good. Good. Used with wear and markings but is still in solid reading condition. Sunning and edgewear to covers. Pasadena's finest new and used bookstore since 1992. Seller Inventory # mon0000763032
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Good. Good condition. 2nd edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Seller Inventory # N24C-02816
Seller: Monroe Street Books, Middlebury, VT, U.S.A.
Condition: Good. 512 pages. Extensive b&w and color illustrations throughout. Includes extensive notes and documentation. Good reference copy. Record # 466089. Seller Inventory # 466089
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condition: Used - Like New. 'Art mattered in the Renaissance. People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives, ' write the authors of this important new look at Italian Renaissance art. A glance at the pages of Art in Renaissance Italy shows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other kinds of art came to be. This book discusses how men and women of the Renissance regarded art and artists as well as why works of Renaissance art look the way they do, and what this means to us. It covers not only Florence and Rome, but also Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples -- each governed in a distinctly different manner, every one with its own political and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art works that are its enduring legacy. Book has minor shelf wear. yelow stain on bottom spine. Seller Inventory # 20110113122342