Assault on the Impossible: Dutch Collective Imagination in the Sixties and Seventies

Assault on the Impossible is the second Autonomedia title to concentrate on the Provo period in the Netherlands. The Provo movement is unique in the modern era for having radically reshaped the political foundations of an important Western nation virtually without violence. Political change is often tumultuous, but never takes place in cultural isolation. Actuating the revolutionary impulse requires activating large groups of people, generating group minds capable of reimagining the realities they inhabit. It requires a kind of visionary emotional adventurism able to gaze with a clear heart at impossibility. Viewing the historical nature of revolutions through exclusively ideological lenses tends to miss the fact that they blaze forth from wider cultural fields, frequently ignited by the eccentric (often aesthetic) insights of a few profound aliens. Richard Kempton s Provo: Amsterdam s Anarchist Revolt, focused on a detailed narrative of the birth, florescence, and decline of the Provo political trajectory. Marjolijn van Riemsdijk s Assault on the Impossible widens the field, investigating the aesthetic attitudes and ludic interventions that helped generate the group mind that drove the politics.

Jordan Zinovich was born and raised in the Rocky Mountains of British Columbia. He left Canada in 1974, and since then has lived in Crete, England, France, Guinea Conakry, Holland, India, Spain, and New York City, where he now resides. He has published six books: Two historical biographies about personalities involved in the opening of the western Canadian north - The Prospector: North of Sixty and Battling the Bay; the critical anthology Semiotext(e) CANADAs (of which he was Project General Editor); the novel Gabriel Dumont in Paris; Cobweb Walking, a collection of poetry; and the poetic radio play John Chapman's Harvest. His work has been translated into French and Dutch, with radio performances in New York and Amsterdam. At present he is a senior editor with the Autonomedia Collective, one of North America's most notable underground publishing houses.