Aural Design and Coherence in the Prologue of First John

Jeffrey E. Brickle

ISBN 10: 0567054330 / ISBN 13: 9780567054333

Published by Bloomsbury 3PL, 2014

About this Item

nach der Bestellung gedruckt Neuware - Printed after ordering - Unlike literature in the modern western world, ancient documents were typically crafted for the ear rather than the eye. This new investigation of the structure of 1 John's Prologue analyzes the oral patterning and resulting soundscape reflected in this key New Testament passage. After discussing contemporary techniques of sound analysis and establishing the study's methodological approach, Brickle examines the Prologue's aural profile. Here we begin to explore, describe, and depict graphically the patterns of sound that emerge as the text is read aloud. Brickle uses the approaches to Greek pronunciation and orality advocated in the recent New Testament research to determine the impact on the Prologue's soundscape, followed by an analysis employing the principles for beautiful and effective composition elucidated by the ancient teacher of rhetoric, Dionysius of Halicarnassus, in his treatise, On Literary Composition. A final section draws together the results and implications of the study before suggesting further ways to apply research in orality, performance, and memory to the Prologue and other ancient texts.

Seller Inventory # 9780567054333

Bibliographic Details

• Title: Aural Design and Coherence in the Prologue of First John
• Publisher: Bloomsbury 3PL
• Publication Date: 2014
• Language: English
• ISBN 10: 0567054330
• ISBN 13: 9780567054333
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 234W x 156H x 10D millimeters 234 millimeters width by 156 millimeters height by 10 millimeters depth
• Weight: 281 grams

About this title

Synopsis

Unlike literature in the modern western world, ancient documents were typically crafted for the ear rather than the eye. This new investigation of the structure of 1 John's Prologue analyzes the oral patterning and resulting soundscape reflected in this key New Testament passage.

After discussing contemporary techniques of sound analysis and establishing the study's methodological approach, Brickle examines the Prologue's aural profile. Here we begin to explore, describe, and depict graphically the patterns of sound that emerge as the text is read aloud. Brickle uses the approaches to Greek pronunciation and orality advocated in the recent New Testament research to determine the impact on the Prologue's soundscape, followed by an analysis employing the principles for beautiful and effective composition elucidated by the ancient teacher of rhetoric, Dionysius of Halicarnassus, in his treatise, On Literary Composition. A final section draws together the results and implications of the study before suggesting further ways to apply research in orality, performance, and memory to the Prologue and other ancient texts.

About the Authors

Jeffrey E. Brickle is Associate Professor of Biblical Studies at Urshan Graduate School of Theology in Florissant, Missouri

Michael Labahn is Wissenchaftlicher Assistant for New Testament at Martin-Luther University, Halle-Wittenberg, Germany.

Dr. Michael Labahn is Wissenschaftlicher Assistant for New Testament at Martin-Luther University, Halle-Wittenberg, Germany.