Back to Nature. The Green and the Real in the Late Renaissance.

Watson, Robert N.

ISBN 10: 0812239059 / ISBN 13: 9780812239058

Published by University of Pennsylvania Press, Philadelphia 2006., 2006

About this Item

Org.-Ganzleinen mit Org.-SU. Oktav, viii, 436 (+2) S., wohlerhaltenes Exemplar. Aus der Bibliothek d. Holländischen Essayisten Michaël Zeeman (1958-2009) und mit dessen handschriftlichem Namenszug auf Vorsatz. ISBN 9780812239058. - Octavo, publisher's cloth with d/j, viii, 436 (+2) pp., fine condition. From the Library of the Dutch writer and journalist Michaël Zeeman (1958-2009) and with his handwritten onwership entry on front fly leaf. ISBN 9780812239058. - Octavo, publisher's cloth with d/j, viii, 436 (+2) pp., fine condition. From the Library of the Dutch writer and journalist Michaël Zeeman (1958-2009) and with his handwritten onwership entry on front fly leaf. 1000 g.

Seller Inventory # 7185-0104

Bibliographic Details

• Title: Back to Nature. The Green and the Real in the Late Renaissance.
• Publisher: University of Pennsylvania Press, Philadelphia 2006.
• Publication Date: 2006
• Language: English
• ISBN 10: 0812239059
• ISBN 13: 9780812239058
• Binding: Hardcover
• Weight: 1000 grams
• Seller catalogs:
  • KULTURGESCHICHTE cultural studies

About this title

Synopsis

"Named 2005-2006 Best Book in Ecocriticism by the Association for the Study of Literature and the Environment

Winner of the 2006 Elizabeth Dietz Memorial Prize for Renaissance and Early Modern Studies, from the editors of Studies in English Literature"

Sweeping across scholarly disciplines, Back to Nature shows that, from the moment of their conception, modern ecological and epistemological anxieties were conjoined twins. Urbanization, capitalism, Protestantism, colonialism, revived Skepticism, empirical science, and optical technologies conspired to alienate people from both the earth and reality itself in the seventeenth century. Literary and visual arts explored the resulting cultural wounds, expressing the pain and proposing some ingenious cures. The stakes, Robert N. Watson demonstrates, were huge.

Shakespeare's comedies, Marvell's pastoral lyrics, Traherne's visionary Centuries, and Dutch painting all illuminate a fierce submerged debate about what love of nature has to do with perception of reality.

About the Author

Robert N. Watson is Professor of English and Associate Vice-Provost for Educational Innovation at the University of California, Los Angeles. His previous books include The Rest Is Silence: Death as Annihilation in the English Renaissance, Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies, and Shakespeare and the Hazards of Ambition.