Bagombo Snuff Box : Uncollected Short Fiction
Kurt Vonnegut
Sold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
New - Soft cover
Condition: New
Ships from Germany to U.S.A.
Quantity: 2 available
Add to basketSold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
Condition: New
Quantity: 2 available
Add to basketNeuware - New York, 1950. A young PR man working at General Electric sold his first magazine piece. By the time he'd sold his third, he decided to quit his job and join the likes of Salinger, Hemingway, Fitzgerald and Faulkner, and make a living as a full-time writer. That young man was Kurt Vonnegut.Bagombo Snuff Box collects Vonnegut's favourite stories from the postwar years that sharpened his dark, vaudevillian and quietly subversive voice. Here we see the mind-bending wit and central themes of his masterpiece, Slaughterhouse-Five. A must-read for Vonnegut aficionados new and old.
Seller Inventory # 9780099282969
Later greatness glimmers here: the offbeat sci-fi of "Thanasphere" (in which an astronaut encounters dead souls in space) and the hero's bogus adventures in alien lands in "Bagombo Snuff Box" look forward to Vonnegut's Slaughterhouse Five, as do the war stories "Souvenir," "Der Arme Dolmetscher," and "The Cruise of The Jolly Roger," which incorporate and amplify Vonnegut's actual war experiences. There's authentic midcentury news here, even in the gentle Saturday Evening Post social satire of "The No-Talent Kid," "Ambitious Sophomore," and "The Boy Who Hated Girls," which pretty much nail the high-school marching band experience. The pieces are peppered with odd, true observations and neat little turns of phrase: one incompetent kid in Lincoln High's band marches "flappingly, like a mother flamingo pretending to be injured, luring alligators from her nest."
You can't miss the ironic humor and the humane, death-haunted melancholy of the young war veteran and tyro writer. This collection beats his first novel, Player Piano, and anticipates the masterpiece Cat's Cradle, whose tiny chapters resemble short stories. Young Vonnegut is derivative, mostly of Saki and O. Henry, partly because he couldn't think of endings, and their switcheroos offered a handy model. But from the start, Vonnegut's idiosyncratic voice is unmistakable. --Tim Appelo
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