Barbaric Splendour: The Use of Image Before and After Rome

Toby F. Martin (u. a.)

ISBN 10: 1789696593 / ISBN 13: 9781789696592

Published by Archaeopress, 2020

About this Item

Barbaric Splendour: The Use of Image Before and After Rome | Toby F. Martin (u. a.) | Taschenbuch | Englisch | 2020 | Archaeopress | EAN 9781789696592 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Seller Inventory # 132632894

Bibliographic Details

• Title: Barbaric Splendour: The Use of Image Before and After Rome
• Publisher: Archaeopress
• Publication Date: 2020
• Language: English
• ISBN 10: 1789696593
• ISBN 13: 9781789696592
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 201W x 277H x 12D millimeters 201 millimeters width by 277 millimeters height by 12 millimeters depth
• Weight: 546 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

Barbaric Splendour: The Use of Image Before and After Rome comprises a collection of essays comparing late Iron Age and Early Medieval art. Though this is an unconventional approach, there are obvious grounds for comparison. Images from both periods revel in complex compositions in which it is hard to distinguish figural elements from geometric patterns. Moreover, in both periods, images rarely stood alone and for their own sake. Instead, they decorated other forms of material culture, particularly items of personal adornment and weaponry. The key comparison, however, is the relationship of these images to those of Rome. Fundamentally, the book asks what making images meant on the fringe of an expanding or contracting empire, particularly as the art from both periods drew heavily from – but radically transformed – imperial imagery.

Table of Contents

Preface

Barbaric tendencies? Iron Age and early medieval art in comparison – Toby F. Martin

In the eye of the dragon: how the ancient Celts viewed the world – Laurent Olivier

Variations on a theme? Examining the repetition of patterns on British Iron Age art – Jody Joy

Changing perspectives in southwest Norwegian Style I – Elna Siv Kristoffersen and Unn Pedersen

Helmets and headaches: thoughts on the Staffordshire Hoard helmet – George Speake

‘Magnificent was the cross of victory’: the great gold cross from the Staffordshire Hoard – Chris Fern

The materiality of faces – Charlotte Behr

Insular numismatics: the relationship between ancient British and early Anglo-Saxon coins – Anna Gannon

About the Author

British Academy Postdoctoral Fellow at the Institute of Archaeology, Oxford University.

Wendy Morrison currently works for the Chilterns Conservation Board managing the NLHF funded Beacons of the Past Hillforts project, the UK’s largest high-res archaeological LiDAR survey. She also is Senior Associate Tutor for Archaeology at the Oxford University Department for Continuing Education. Wendy’s research areas are Prehistoric European Archaeology and Landscape Archaeology.