Basic Live Sound

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ISBN 10: 1860742718 / ISBN 13: 9781860742712

Published by -, 2006

About this Item

Basic Live Sound This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Seller Inventory # 7719-9781860742712

Bibliographic Details

• Title: Basic Live Sound
• Publisher: -
• Publication Date: 2006
• Language: English
• ISBN 10: 1860742718
• ISBN 13: 9781860742712
• Binding: Paperback
• Condition: Very Good

About this title

Synopsis

(Music Sales America). Basic Live Sound has the answers for setting up equipment for live performance and DJ techniques. Discover how to work in different spaces with a variety of performance events and the equipment required to get the sound just right.

From the Back Cover

Musicians of all genres and standards, students, home hobbyists and computer users interested in how to use the music and internet facilities on their machine.
-- stylish counter pack is available
-- advertising campaign to run in specialist press
-- special promotions will run in general music press

Contemporary music relies on technology: technology is used to make music, to record music, to hear music. Music students study technology and technology has enabled more amateur musicians than ever before to create their own recordings. But what if you are a competent musician who simply doesn't understand the technology: its processes like 'tracking', 'sequencing' and 'non-linear recording' or its facilities such as 'foldback' and 'encoding'? Paul White's new series of pocket sized guides to music technology explains everything you need to know for a basic understanding of music technology. Written in the simplest language, he makes the subject easy for all to understand, whatever their age or background.

Talent is important, But sound quality matters too. How many bands have you heard whose performances have been ruined by poor sound? But the quality of sound is not simply dictated by the equipment used, but by the way that equipment is set up. This book looks at the techniques professionals use to get a great on-stage sound and applies them to the working musician whose equipment, though relatively inexpensive, can produce exceptionally good results if used properly. If you perform live or intend to, this book will prove essential.