The Beggar's Opera - Acting Edition

‘Whore and rogue they call husband and
All professions be-rogue one another'

The tale of Peachum, thief-taker and informer, conspiring to send the dashing and promiscuous highwayman Macheath to the gallows, became the theatrical sensation of the eighteenth century. In The Beggar’s Opera, John Gay turned conventions of Italian opera riotously upside-down, instead using traditional popular ballads and street tunes, while also indulging in political satire at the expense of the Prime Minister, Sir Robert Walpole. Gay’s highly original depiction of the thieves, informers, prostitutes and highwaymen thronging the slums and prisons of the corrupt London underworld proved brilliantly successful in exposing the dark side of a corrupt and jaded society.

Bryan Loughrey and T. O. Treadwell’s introduction examines the eighteenth-century background of musical theatre and opera, the changing cityscape of London and the corruption of the legal system. This edition also includes a note on the music in The Beggar’s Opera and suggestions for further reading.

The great lords and powerful public officials of early eighteenth-century England are represented as highwaymen and thieves in this deliciously satirical ballad opera. In addition to its burlesque of the contemporary vogue for Italian operatic styles, John Gay's 1728 masterpiece ridicules a broad spectrum of political figures and social conventions—marriage, lawyers, trade, and even Walpole, the prime minister.
Depicting crime and vice at every level of society, The Beggar's Opera offers a witty and powerful indictment of greed, hypocrisy, and corruption in all social classes. When Peachum, a receiver of stolen goods, discovers that a notorious highwayman has eloped with his daughter, the wily old villain turns informer and collects the reward money as his prospective son-in-law is hauled off to prison. Events take an increasingly absurd turn as the dashing outlaw romances the jailer's daughter and effects an escape, only to return to the shadow of the gallows for a farcical climax that parodies the sentimental tragedy of the day.