I Begin My Life All Over : The Hmong and the American Immigrant Experience
Xiong, Ghia, Faderman, Lillian
Language: English
Published by Beacon Press, 1998
- Hardcover
- Used

Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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- Title
- I Begin My Life All Over : The Hmong and the American Immigrant Experience
- Author
- Xiong, Ghia, Faderman, Lillian
- Publisher
- Beacon Press
- Publication year
- 1998
- Condition
- Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0807072346
- ISBN 13
- 9780807072349
- Item weight
- 1.263 pounds
- Dimensions
- N/A
"Synopsis" may belong to another edition of this title.
Reviews
- living voices, and to make those voices resound in the reader's ears." Photos.
Copyright 1998 Reed Business Information, Inc.
An oral history that strongly conveys the searing social and emotional upheavals faced by tens of thousands of Hmong people who have fled communist Laos to live in this country. Faderman (English and Lesbian Studies/California State Univ., Fresno; Surpassing the Love of Men, 1981, etc.) and her translator and intermediary, Ghia Xiong, interviewed 53 Hmong immigrants, ranging in age from 11 to 66, over a two-year period, beginning in 1994. The words of 33 of the Hmongmost of them residents of central Californiaappear here in edited form. Faderman uses the testimony effectively to tell representative stories that shed light on the experiences of the some 130,000 Hmong who have come here since the American war in Indochina ended in 1975. Many fought for this country in the so-called ``secret war'' in Laos. Faderman's goal is to use the Hmong expatriates' words to represent the entire immigrant experience in the US. The Hmong story, Faderman says, reveals ``the fabric that has gone into the making of Americans.'' Faderman's Hmong tell sorrowful tales of a nomadic tribal people forced from their homeland into horrific detention camps in Thailand, only to struggle in every imaginable fashion once they reached the US. Most of the Hmong speak of severe social dislocation and generational confrontations between traditional elders and rebellious young people. Many of the stories, though, contain some positive news, usually involving the younger generation. In her chapter introductions Faderman weaves in stories about her immigrant mother that often abruptly interrupt the otherwise smooth narratives. She also includes intimate details of her own life that seem decidedly out of place in this otherwise enlightening book. These often painful stories expand on the cultural collision described by Anne Fadiman in The Spirit Catches You and You Fall Down (1997). -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
"I'm just stuck in between, jumping back and forth." Based on detailed interviews with 35 Hmong immigrants to California, this tightly edited collection captures the particulars of the personal narratives and also their connections with the common American immigrant experience. These are not sprawling oral histories. With the help of Hmong immigrant Ghia Xiong, who served as translator and intermediary, Faderman conducted the interviews and then arranged the material chronologically: first, the refugee experience of leaving Laos and the years in the transit camps, then the bitter struggle in the "American jungle" for children and parents caught between two very different cultures. Faderman provides a useful introduction to Hmong history, and she comments at length on each narrative and how it fits with the others, especially in the areas of work, gender roles, family, gang behavior, and religion. Just as revealing are the personal connections she finds with her own life as the child of Jewish immigrants from the shtetls in Eastern Europe. This is heartfelt, illuminating social history. Hazel Rochman
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