Behind the Picture | Art and Evidence in the Italian Renaissance

Martin Kemp

ISBN 10: 0300082819 / ISBN 13: 9780300082814

Published by Yale University Press, 2011

About this Item

Behind the Picture | Art and Evidence in the Italian Renaissance | Martin Kemp | Taschenbuch | Kartoniert / Broschiert | Englisch | 2011 | Yale University Press | EAN 9780300082814 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Seller Inventory # 132643765

Bibliographic Details

• Title: Behind the Picture | Art and Evidence in the Italian Renaissance
• Publisher: Yale University Press
• Publication Date: 2011
• Language: English
• ISBN 10: 0300082819
• ISBN 13: 9780300082814
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 248W x 172H x 23D millimeters 248 millimeters width by 172 millimeters height by 23 millimeters depth
• Weight: 544 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

The Roman author Pliny tells the story—well known in the Renaissance—of the famed Grecian painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the functions of works of art in relation to their various kinds of audience.

Kemp examines a wealth of visual and written evidence, making sense of the often contradictory implications of the contemporary sources that survive for the same artist and indeed for the same work of art. He points out that whereas artists’ contracts suggest the cobbler at work and inventories suggest that the products of painters were considerably less valued than those of bed manufacturers, the rise of written theory and the web of criticism woven by humanist authors increasingly depict the artist as an intellectual, as a philosopher-poet with respect to subject matter, and as a scientific investigator of natural appearances.

Kemp provides us with an introductory text on Italian Renaissance art that brings the period alive through extensive quotations from original sources. Giving access to a range of traditional and more recent concerns in art history through the application of various approaches to specific sets of raw material, the book will be an important and illuminating contribution to current debates in cultural history.