In this, her debut collection, Ingrid Ruthig records the flux of the individual through the past, present and future of our collective world. Ruthig's concerns are with our very skin, and our separation from one another — separations that are at once familial, intimate, interconnected. She explores our need to create, and in doing so to build a deeper sense of self: questioning, observing, then striving to respond. Her voice throughout is confident, concentrated, wry. This is a book of poems about the nature of the frail, flawed human being, who is nonetheless perfect.

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Ingrid Ruthig
Earned a Bachelor of Architecture at the University of Toronto in the 1980s and practised the profession for more than a decade. Her work as a writer, editor and artist has appeared widely, with poems published in The Best Canadian Poetry in English, The Malahat Review, Descant, and many other journals and anthologies across Canada and abroad. She is the author of the poem sequence & artist's book Slipstream, the chapbook Synesthete II, and editor of The Essential Anne Wilkinson and Richard Outram: Essays on His Works, as well as a forthcoming volume on the work of David Helwig. She is a Hawthornden Fellow, and currently lives near Toronto.

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