The Best American Short Stories 1996: Selected from U.S. and Canadian Magazines

Each fall The Best American Short Stories provides a fresh showcase for the rich and unpredictable story form. Selected from an unusually wide variety of publications, John Edgar Wideman's choices for 1996 place stories from esteemed magazines alongside selections from some of the smallest and most innovative literary journals.
Among the dazzling new stories from favorite authors is Mary Gordon's "Intertextuality", in which a sentence by Proust propels the narrator into an intricate portrait of her Irish American grandmother. From Robert Olen Butler comes the wry and warm tale "Jealous Husband Returns in Form of Parrot", in which a man learns the consequences of marital distrust. In "Complicities", Alice Adams with her customary finesse contrasts the stinging vulnerability of early adolescence with the burdens and pleasures of midlife.

While some installments of this annual anthology could more accurately be titled The Best Short Stories Published by the New Yorker," many of this year's selections are culled from more obscure literary magazines, with a number of new voices standing alongside series regulars such as Joyce Carol Oates and Alice Adams. Among the more established writers, a standout is Jamaica Kincaid's "In Roseau," a tale of a girl who gets involved in an erotic triangle with a married couple. Two writers who have won critical acclaim without yet reaching the wide audience they deserve weigh in with very impressive pieces: Stuart Dybeck offers a surreal yet oddly coherent story of love, loss and Chinese food in "Paper Lantern"; while Melanie Rae Thon's "Xmas, Jamaica Plain" demonstrates her considerable gift for capturing a character's voice. Few of the new writers that Wideman includes hold their own against their better-known counterparts; an exception is Junot Diaz, whose "Ysrael" is a fierce and unblinking story of a disfigured boy who wears a mask and the other children determined to see beneath it. But other newer writers, such as Jason Brown and William Lychak, seem in their different ways to be prime examples of the sort of middle-of-the-road fiction produced by M.F.A. programs: dutifully well-crafted stories whose content is derivative and uninspired. Overall, this is an engaging collection, though one that provides scant evidence for the existence of a new generation of talented short story writers.
Copyright 1996 Reed Business Information, Inc.