Best New Horror: No. 2

A showcase of outstanding samples of the horror genre includes works by Peter Straub, Harlan Ellison, F. Paul Wilson, Gene Wolfe, Thomas Ligotti, Elizabeth Massie, and others

YA-- This book is exactly what it says it is: a collection of horror fiction's best stuff. The authors have put together a group of stories whose styles range from the over the top ``splatterpunk'' to more subtle, if not more traditional, material. YAs should enjoy taking a look at the younger, less well known authors who toil in the shadows of giants such as Stephen King and Clive Barker. Keep an eye out for authors such as J. L. Comeau, Poppy Z. Brite, and Michael Marshall Smith.
Copyright 1992 Reed Business Information, Inc.

First-rate and generous second entry (Best New Horror, 1990) in what is now clearly the finest horror annual available, distinguished by the editors' literate tastes and vast knowledge of the field. Leading horror-critic Jones and horror-novelist Campbell (Midnight Sun, 1991, etc.) are British, but the 28 stories here are transatlantic in origin--though the emphasis, more than in the first volume, is on traditional horror (Campbell's forte), with only a smattering of splatterpunk. Still, what's here--drawn from magazines well known (and not) as well as from some anthologies--is almost uniformly excellent. After a brisk rundown by the editors of 1990 horror literature, films, and awards, the stories kick off with, ironically, the goriest of the lot--K.W. Jeter's ``The First Time,'' a frightful tale of a young man's introduction to Tijuana sex, vampire-style. The grim note struck by Jeter soon repeats itself in Elizabeth Massie's wholly original ``Stephen,'' wherein a woman falls in piteous lust with a severed head. More upbeat--and a most promising story debut--is Michael Marshall Smith's ``The Man Who Drew Cats,'' about a sidewalk artist whose magic drawings elicit an unusually satisfying vengeance. The longest, most accomplished tale here soon follows: Thomas Ligotti's ``The Last Feast of Harlequin,'' a brilliant Poe/Lovecraft homage. Sardonic comic relief is provided by Gahan Wilson (``Mister Ice Cold,'' about an evil ice-cream vendor) and F. Paul Wilson (the full- throttle anti-fur parable ``Pelts''), with other outstanding tales from Elizabeth Hand, J.L. Comeau, Poppy Z. Brite, Peter Straub, Ian R. MacLeod, and Kim Newman, who also contributed to the extensive ``Necrology'' that closes the volume. Not quite as wide-ranging as the first volume (with the incomparably fierce Joe R. Lansdale notably missing, for example)- -but, still, a must for any serious horror collection. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Twenty-eight spine-tinglers are showcased by the editors, both veteran horror writers,in this fine anthology, which runs the horror gamut from occult shocker to psychological thriller. Though it opens with a rather tasteless entry, K. W. Jeter's grisly "The First Time" (told with au courant splatterpunk brio), the collection redeems itself many times over with a score of tales that make the prerequisite suspension of disbelief a hair-raising pleasure. In Michael Marshall Smith's imaginative "The Man Who Drew Cats," a mysterious street-artist stretches his creativity to alarmingly grim lengths when an abused child wins his heart. Thomas Ligotti's fluently written novella, "The Last Feast of Harlequin," reveals the dark nature lurking just beneath the whiteface. The searing final image in "Cedar Lane," by Karl Edward Wagner, will invoke for many genre fans Ray Bradbury's classic "There Will Come Soft Rains." J. L. Comeau's riveting "Firebird" pits supernatural forces against a feisty ballerina who also happens to be a cop. In one of the collection's strongest entries, "Mister Ice Cold," cartoonist Gahan Wilson proves that a few thousand well-chosen words just might be worth more than a picture, after all.
Copyright 1991 Reed Business Information, Inc.