Beyond the Body: The Boundaries of Medicine and English Renaissance Drama (Massachusetts Studies in Early Modern Culture)
Language: English
Published by University of Massachusetts Press, 2005
- Hardcover
- New

Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New
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Kerwin (English, U. of Missouri, Columbia) offers five case studies in his consideration of how the field of medicine and its boundaries were affected by culture in the Renaissance, especially drama. Incorporating recent research on medical history and anthropology, he examines portrayals of five groups: drug sellers, women practitioners, surgical Series: Massachusetts Studies in Early Modern Culture. Num Pages: 288 pages. BIC Classification: 2AB; DSBD; DSG; MBX. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 162 x 24. Weight in Grams: 540. . 2005. hardcover. . . . . Books ship from the US and Ireland.
Seller Inventory # V9781558494824
- Title
- Beyond the Body: The Boundaries of Medicine and English Renaissance Drama (Massachusetts Studies in Early Modern Culture)
- Author
- Kerwin, William
- Publisher
- University of Massachusetts Press
- Publication year
- 2005
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1558494820
- ISBN 13
- 9781558494824
Drawing on research in the social history of medicine as well as a wide-ranging collection of primary narratives of medical encounters, Kerwin pursues the stories of several medical groups. Specifically, he examines women healers in terms of the changing place of women in the public sphere; the connections between drug sellers―apothecaries and alchemists―and an emerging modern economy; the role barbers and surgeons played in early modern concerns for protecting a new sense of privacy and interiority; the ways physicians defined their professional primacy through the language of theaters and actors; and the ways individual patients employed rhetorics of diagnosis as a way of participating in sectarian religious battles. The study moves from the dynamics of medical politics to the work drama does in exposing those dynamics. In addition to offering astute readings of works by Shakespeare and Ben Jonson, the book pays substantial attention to plays by Samuel Daniel, John Fletcher, John Ford, Thomas Heywood, John Lyly, Philip Massinger, and John Webster.
Beyond the Body complements the wealth of recent critical attention given to the body. Kerwin attends to a different sort of material politics; as the book's title suggests, he asks a reader interested in the politics of medicine to look not at the practitioner treating the body but at the social forces influencing the practitioner. Beyond the Body works to erode a widespread cultural bias toward giving medicine deference as a self-defining profession.
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