Beyond the Bottom-Line

Andrew Spicer

ISBN 10: 144117236X / ISBN 13: 9781441172365

Published by BERTRAMS PRINT ON DEMAND Sep 2014, 2014

About this Item

Neuware - This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.

Seller Inventory # 9781441172365

Bibliographic Details

• Title: Beyond the Bottom-Line
• Publisher: BERTRAMS PRINT ON DEMAND Sep 2014
• Publication Date: 2014
• Language: English
• ISBN 10: 144117236X
• ISBN 13: 9781441172365
• Binding: Buch
• Condition: Neu
• Dimensions: 229W x 152H x 17D millimeters 229 millimeters width by 152 millimeters height by 17 millimeters depth
• Weight: 576 grams

About this title

Synopsis

This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.

About the Author

Christopher Meir is Lecturer in Film at the University of the West Indies, St. Augustine in Trinidad and Tobago. He edited a special issue of the Historical Journal of Film, Radio and Television on film marketing and has published on Jeremy Thomas. He is currently completing Scottish Cinema: Texts and Contexts.