Beyond Recall

At a wedding party in Cornwall in the summer of 1981, Chris Napier is shocked to recognise a dishevelled intruder as his childhood friend Nicky Lanyon, whom he has not seen since his father, Michael Lanyon, was hanged for the murder of Chris's great-uncle, Joshua Carnoweth, in 1947.
It was the inheritance of old Joshua's fortune that led the then humble Napier family to their present state of affluence. When Nicky subsequently hangs himself, Chris sets out on a journey into his own and others' memories of the tragic events of 34 years before. Driven on by Nicky's firm belief in his father's innocence, he begins to doubt the offical version of those events and to question the conduct of several members of his own family.
Then other present-day mysteries begin to dog his footsteps into the past and soon his search for the truth becomes a desperate struggle for his own survival.

A carefully crafted tale of suspense, Beyond Recall interweaves present and past as Christian Napier sets out to discover the truth behind his great-uncle's murder, committed during the days of rationing and privation following the Second World War. That death provided the foundation of the Napier family's subsequent prosperity, but Christian is led to question the verdict reached in the case by the more recent suicide of an old and abandoned friend. The whole of the action is relayed through Napier's eyes and voice as he struggles to sort out his understanding of what happened before he was born, his own memories as a child, the alcohol-hazed intervening years, and the current arm's-length relationship he maintains with the surviving members of his family.

Goddard's sense of place is strong. The Cornish market town of Truro, with its 19th-century cathedral looming over events spanning a century, provides the backdrop for the mystery and also for the shifting fortunes of the British experience. Descriptions of a grand family home transformed into a hotel and conference center, the tiny chain-pulled ferry crossing an estuary as it has done for generations, and Cornwall's unchanging and temperate beauty offer convincing detail beyond the usual place-name dropping.

Although the denouement is muddled by a confusion of identities and too many people thought dead resurfacing (both to Napier's dismay and delight), the general scheme is entertaining enough and just within the bounds of what's believable, given Goddard's manipulation of the reader's expectations. The central themes of revenge and greed lose some of their power when mixed with a subplot colored by a '90s obsession with sexual misdeeds, but these flaws do not detract from the pleasure of the whole. An enjoyable read, fraught with the tension Goddard's readers have come to expect.