Bio Design: Nature Science Creativity

William Myers,Paola Antonelli

ISBN 10: 0500516278 / ISBN 13: 9780500516270

Published by Thames and Hudson Ltd, 2012

About this Item

Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Seller Inventory # P-BMU00245-MIX-20250210-G

Bibliographic Details

• Title: Bio Design: Nature Science Creativity
• Publisher: Thames and Hudson Ltd
• Publication Date: 2012
• Language: English
• ISBN 10: 0500516278
• ISBN 13: 9780500516270
• Binding: hardcover
• Condition: Good

About this title

Synopsis

BioDesign is an inspiring resource for designers, architects, engineers, and students. Featuring 73 projects at the intersection of biology and design, it surveys artworks, prototypes and architectural concepts that harness living materials and processes, presenting bio-integrated approaches to achieving sustainability, new innovations enabled by biotechnology, and provocative experiments that deliberately illustrate the dangers and opportunities of manipulating life for human ends. Ranging from fabrics and "concrete" made with bacteria to arbor-architecture, these projects are now more pertinent than ever. By examining how this new phenomenon fits into the history of architecture, art, and industrial design, William Myers contextualizes the shift toward biodesign through comparisons to previous historic transitions in art and design practices, clarifying its implications for the future.

About the Author

William Myers is a writer, teacher, and curator based in Amsterdam. He has worked for the Museum of Modern Art, the Smithsonian Cooper-Hewitt National Design Museum, the Guggenheim, and Genspace, the first community biotech lab in the United States. His writing has appeared in Metropolis magazine, The Architect's Newspaper, and New York Magazine.