The Birth of a Nation

Griffith, D.W.

ISBN 10: 0813520274 / ISBN 13: 9780813520278

Published by Rutgers University Press, Chapel Hill, North Carolina, U.S.A., 1994

About this Item

Edited by Robert Lang; some edge wear to card covers; otherwise a solid, clean copy with no marking or underlining; collectible condition; illustrated with black and white photos.

Seller Inventory # 004652

Bibliographic Details

• Title: The Birth of a Nation
• Publisher: Rutgers University Press, Chapel Hill, North Carolina, U.S.A.
• Publication Date: 1994
• Language: English
• ISBN 10: 0813520274
• ISBN 13: 9780813520278
• Binding: Soft cover
• Edition: American First.
• Condition: Very Good
• Dust Jacket Condition: No Jacket as Issued
• Book Type: Book

About this title

Synopsis

The Birth of a Nation (1915) remains the most controversial American film ever made, and its director, D. W. Griffith, one of the most extraordinary figures in film history. It was the first true feature film and did more than any other to launch Hollywood both as an industry and as an idea. The film consolidated a trend in cinematic technique and an approach to dramatic narrative that define American cinema to this day. As a great but ideologically troubled film that offers us a reflection of ourselves as Americans, The Birth of a Nation continues to intrigue, challenge, infuriate, and awe.

Robert Lang's introduction to this volume explores in fascinating detail the warped view of history that this great film presents. Griffith, a Southerner, was intent on resurrecting, idealizing, and justifying the South. In The Birth of a Nation, it is racism that unites the white North and South; the protection or abolition of slavery is not the divisive issue. In a powerful synthesis of spectacle and narrative, Griffith seeks to give the Southern cause a sense of glamour and high purpose. Lang considers the film as a historical melodrama, and by examining Griffith's "historiography as ideological practice," he traces the way in which the bloody, traumatic reality of the Civil War and Reconstruction becomes melodramatic myth. This unparalleled guide to The Birth of a Nation offers a shot-by-shot continuity script; a biographical sketch of the director; a sampling of contemporary reviews; a series of essays by distinguished critics including James Chandler, Michael Rogin, Janet Staiger, and Mimi White; and a filmography and bibliography.

About the Author

ROBERT LANG is an assistant professor of English and film studies at the University of Hartford.