Black Cultural Production after Civil Rights

Robert J Patterson

ISBN 10: 0252084608 / ISBN 13: 9780252084607

Published by University Of Illinois Press Aug 2019, 2019

About this Item

Neuware - 'Robert J. Patterson and his contributors interrogate how African American writers and cultural producers use black modes of cultural expressivity to engage, make, and change history in order to imagine the future and to provide alternate ways of thinking, existing, and being for black subjects in particular, and American citizens in general, in the midst of this historical paradox. This volume insists that black cultural production during the 1970s anchors the philosophical, aesthetic, and political debates that animate contemporary debates in African American studies, and insists that, despite abject social and political conditions, black cultural production keeps imagining black thriving. Simultaneously, it demonstrates the specific ways that the cultural production itself re(imagines) ways to transform that which prevents black thriving. Thus, the volume argues that African American cultural production continues to engage in social critique and transformation and remains an important site for the (re)making of black politics'.

Seller Inventory # 9780252084607

Bibliographic Details

• Title: Black Cultural Production after Civil Rights
• Publisher: University Of Illinois Press Aug 2019
• Publication Date: 2019
• Language: English
• ISBN 10: 0252084608
• ISBN 13: 9780252084607
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 229W x 163H x 20D millimeters 229 millimeters width by 163 millimeters height by 20 millimeters depth
• Weight: 464 grams

About this title

Synopsis

The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics.

This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions.

Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork

About the Author

Robert J. Patterson is a professor of African American Studies and served as the inaugural chair of the Department of African American Studies at Georgetown University. He is the author of Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality.