Blade Runner (Philosophers on Film)
Book 8 of 10: Philosophers on FilmSold by Kennys Bookstore, Olney, MD, U.S.A.
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Add to basketSold by Kennys Bookstore, Olney, MD, U.S.A.
AbeBooks Seller since October 9, 2009
Condition: New
Quantity: Over 20 available
Add to basketEditor(s): Coplan, Amy; Davies, David. Series: Philosophers on Film. Num Pages: 174 pages, 10 black & white halftones. BIC Classification: APFA; HPK; HPM. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 224 x 145 x 16. Weight in Grams: 318. . 2015. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Seller Inventory # V9780415485845
Ridley Scott’s Blade Runner is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ‘replicants’ is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in ‘created’ life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions.
This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions:
Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students – indeed anyone - interested in philosophy and film studies.
Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve.
Amy Coplan is Associate Professor and Chair of Philosophy at California State University, Fullerton, USA. She is the co-editor, with Peter Goldie, of Empathy: Philosophical and Psychological Perspectives (2011).
David Davies is Professor and Chair of Philosophy at McGill University, Canada. He is the author of Art as Performance (2004), Aesthetics and Literature (2007), and Philosophy of the Performing Arts (2011), and editor of The Thin Red Line (Routledge, 2008).
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