On The Blockade
Optic, Oliver
Sold by PBShop.store US, Wood Dale, IL, U.S.A.
AbeBooks Seller since April 7, 2005
New - Soft cover
Condition: New
Ships within U.S.A.
Quantity: Over 20 available
Add to basketSold by PBShop.store US, Wood Dale, IL, U.S.A.
AbeBooks Seller since April 7, 2005
Condition: New
Quantity: Over 20 available
Add to basketNew Book. Shipped from UK. Established seller since 2000.
Seller Inventory # L2-9798897732654
The story is set during the American Civil War, focusing on naval operations and blockades. Young characters are involved in maritime adventures, encountering dangers, conspiracies, and duties associated with the Union blockade of the Confederacy.
As with many of Optic's works, themes include loyalty, bravery, camaraderie, the perils of war, and coming-of-age under difficult circumstances.
About the Author
William Taylor Adams (July 30, 1822 - March 27, 1897), pseudonym Oliver Optic, was an academic, author, and a member of the Massachusetts House of Representatives.
Adams first began to write at the age of 28, and his first book, Hatchie, the Guardian Slave (1853), was published under the pseudonym of Warren T. Ashton. It was only a modest success, but Adams was undaunted. In 1854 Adams produced his first real hit, the initial volume in the Boat Club series. Adams continued to write until he died in Dorchester, March 27, 1897. Among his best-known works were the two "Blue & Gray" series, which were set during the Civil War.
Adams wrote well over 100 books in total, most of them for a boy audience, and the majority of these in series of four to six volumes published under a pseudonym. Two novels published in his own name, The Way of the World and Living Too Fast, were aimed at adult readers but fell flat. Though "Oliver Optic" was the pseudonym he used most, his work also appeared under the bylines "Irving Brown," "Clingham Hunter, M.D.," and "Old Stager." Like many children's authors of his day, he was additionally an editor, and many of his works first appeared in Oliver Optic's Magazine.
Adams' writing was criticized by Louisa May Alcott, among others. Alcott used her story Eight Cousins to deplore Adams' use of slang, his cast of bootblacks and newsboys, and his stories of police courts and saloons. Adams responded in kind, pointing out Alcott's own use of slang and improbable plot twists. (wikipedia.org)
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