The Blue Hour in Max Beckmann's Large Still-Life with Doves

Conner Jill Conner, Jill

ISBN 10: 3962582355 / ISBN 13: 9783962582357

Published by PalmArtPress, 2026

About this Item

Seller Inventory # 26405403786

Bibliographic Details

• Title: The Blue Hour in Max Beckmann's Large Still-Life with Doves
• Publisher: PalmArtPress
• Publication Date: 2026
• Language: English
• ISBN 10: 3962582355
• ISBN 13: 9783962582357
• Binding: Hardcover
• Condition: New

About this title

Synopsis

Dive into the evocative world of The Blue Hour, by author Jill Conner, where art, memory, and the passage of time intertwine through the lens of Max Beckmann’s poignant reflections. 

The Blue Hour invites readers into a uniquely contemplative space that begins in an empty, blue-walled living room, echoing the stillness of Max Beckmann’s “Large Still-Life with Doves” (1950). The narrative unfolds against the backdrop of Beckmann’s Life, establishing the parallel between his personal journeys with his written recollections of significant historical moments. As the story develops, it highlights the duality of the artist’s experiences during his daily strolls, revealing how each moment connects to his past.

The setting oscillates between early-modernized Berlin and the industrial dynamism of early 20^th-century New York, allowing readers to explore the evolving landscape of art and memory. Through a detailed examination of Beckmann’s paintings and early drawings, Jill Conner offers a rich tapestry of themes and prompts reflection on the interweaving of personal and collective histories.

This book is invaluable for art enthusiasts, historians, and general readers alike who seek a deeper understanding of Max Beckmann. The Blue Hour not only illuminates Beckmann’s artistic journey but also serves as a meditation on the nature of memory and the passage of time. This book promises to enrich your appreciation of modern art and its profound connections to personal experience.

About the Author

Jill Conner, born in the Pacific Northwest, has studied Germanics, Art History and Cultural Management at the University of Washington, the State University of New York in Stony Brook, and Leuphana University of Lüneburg. She is a descendant of German immigrants who moved to the American Midwest in the late 19th-century. As an art critic and curator of emerging contemporary art, she has been inspired by the role of culture outlined by Norbert Elias and practiced by artists in early 20th-century Berlin. Through the life and work of Max Beckmann, she has examined the ambiguity of civilization as it has developed over time from unfolding cultural changes.  Jill Conner lives in Brooklyn, New York.