From a bold voice in African fiction comes a satirical and unputdownable reimagining of an overlooked episode in Cameroon’s colonial past.
Cameroon, 1929. As colonial powers fight for influence in Africa, French military surgeon Eugène Jamot is dispatched to Cameroon to lead the fight against sleeping sickness there. But despite his humanitarian intentions, the worst comes to pass: seven hundred local villagers are left blind as a result of medical malpractice by a doctor under Jamot’s watch.
Damienne Bourdin, a young white woman, ventures to Cameroon to assist in the treatment effort. Reeling from the loss of her child, she’s desperate to redeem herself and save her reputation. But the tides of rebellion are churning in Cameroon, and soon after Damienne’s arrival, she is enlisted in a wild plot to staunch the damage caused by the blunder and forestall tribal warfare. Together with Ndongo, a Pygmy guide, she must cross the country on foot in search of Edoa, a Cameroonian princess and nurse who has gone missing since the medical blunder was discovered.
As Damienne races through the Cameroonian forest on a farcical adventure that unsettles her sense of France’s “civilizing mission,” she begins to question her initial sense of who needed saving and who would save the day.
Mutt-Lon is the literary pseudonym of author Nsegbe Daniel Alain. His first novel, Ceux qui sortent dans la nuit (Those Who Come Out at Night, 2013), brought him critical acclaim when it received the prestigious Ahmadou Kourouma Prize in 2014. Les 700 aveugles de Bafia (2020), published in English as The Blunder, is his third novel and the first to be translated into English. He lives in Douala.
Amy B. Reid is an award-winning translator who has worked with authors from Cameroon, Côte d’Ivoire, the Democratic Republic of the Congo, and Haiti. Among her translations are the Patrice Nganang titles Dog Days: An Animal Chronicle (2006) and the trilogy comprised of Mount Pleasant (2016), When the Plums Are Ripe (2019), and A Trail of Crab Tracks (2022), as well as Queen Pokou: Concerto for a Sacrifice (2009) and Far from My Father (2014) by Véronique Tadjo. In 2016 she received a Literature Translation Fellowship from the National Endowment for the Arts for When the Plums Are Ripe. She holds a PhD in French from Yale University (1996) and is a professor of French and Gender Studies at New College of Florida.
