The discussion of the war body on screen is best served by drawing upon multiple and diverging view points, differing academic backgrounds and methodological approaches. A multi-disciplinary approach is essential in order to capture and interpret the complexity of the war body on screen and its many manifestations. In this collection, contributors utilize textual analysis, psychoanalysis, post-colonialism, comparative analysis, narrative theory, discourse analysis, representation and identity as their theoretical footprints. Analysis of the impact of new media and information technologies on the construction and transmission of war bodies is also been addressed.

The War Body on Screen has a highly original structure, with themed sections organized around 'the body of the soldier'; 'the body of the terrorist'; and 'the body of the hostage'.

About the Authors

Karen Randell is Deputy Dean of Arts and Humanities and Associate Professor of Film and Culture at Nottingham Trent University, UK. She is published on trauma in film in Art in the Age of Terrorism (2005) and in SCREEN. She is co-editor(with Sean Redmond) of The War Body on Screen (Continuum, NY: 2008) and Screen Methods: Comparative Readings in Film Studies (2005) with Jacqueline Furby.

Sean Redmond is Associate Dean of Media, Writing and Publishing at RMIT University, Melbourne, Australia.

"About this title" may belong to another edition of this title.

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