Off Book : Devised Performance and Higher Education
Language: English
Published by Intellect Books, 2024
- Softcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
US$ 74.93
Quantity: 2 available
Add to basketItem description from seller
nach der Bestellung gedruckt Neuware - Printed after ordering - In the theatre world, 'off book' signifies a deadline in the creative process: the date by which performers are to have memorised their lines and will no longer be allowed to carry their play script - the 'book' - on stage. As such, Off Book makes a strangely appropriate title for a book about devised performance in higher education. In its usual context, 'off book' captures the tension between ephemeral, live performance and durable, authorized literature: in one sense, the book - the written play - is the essential core, the seed that gives the performance life and meaning. Yet the opposite could be equally true: an 'on book' performance would not really be a play at all, and an actor reciting lines out of a script in hand is not really acting. A play is only realised in, or through, a performance. We cannot really learn, or play, our part until we can put the book down and enter the stage without it. Devised performance might be described as 'theatre without the book.' Yet devisors also often use books - books like this one, practical guid Elektronisches Buch and how-to manuals, as well as a myriad of literature outside the discipline mined for inspiration. This is particularly manifest when devising in the context of higher education - a milieu, like theatre, wherein books traditionally signify authority, status, and meaning. So, to the extent that theatres and campuses are places where one expects everything to be done 'by the book,' devising on campuses is rebellious, even sacrilegious. But on the other hand, both the theatre and the university are expected to challenge tradition, defy expectations, and conduct experiments. The book is presented in four sections reflecting the range of roles devising plays in higher education. The first section, 'Devising Pedagogy: Teaching Transferable Tools', examines how and why practitioners, educators, and programs conceptualise and plan for devising with adult learners in a range of higher education contexts. The second, 'Devising Friction: Ensembles, Individuals, and the Institution', shifts the discussion to the classroom, where abstract, pedagogical rubber meets the road of concrete reality. The third, 'Devising (by) Degrees', practice-led postgraduate devising projects features contributions by emerging scholar-practitioners who engage with devising as both an object and method of creative scholarship. Finally, the chapters in 'Devising Bridges: University-Community Engagement' explore how devising connects higher education institutions with the public they are intended to serve - particularly in populations and communities that are marginalised within, or even explicitly excluded from participating in, higher education, such as children and people with intellectual disabilities. A valuable and unique resource for drama educators in universities, university students in education, drama, and arts managements, graduate students conducting research, theatre historians, practicing devised theatre artists.…
Seller Inventory # 9781789384987
- Title
- Off Book : Devised Performance and Higher Education
- Author
- Nicola Hyland
- Publisher
- Intellect Books
- Publication year
- 2024
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 1789384982
- ISBN 13
- 9781789384987
- Item weight
- 681 grams
- Dimensions
- 244x170x21 mm
In the theater industry, “off book” refers to the date by which performers are to have memorized their lines and will no longer carry their play script—the “book”—on stage. But for the authors of this volume, the question is not when the book needs to be memorized, but why is there a need to be “on” book in the first place? Practitioners of devised performance choose to compose live performances from scratch rather than follow instructions in someone else’s script; educators of devised performance prefer to practice learning, too, as a generative and creative process that can never be confused with mere memorization. In its usual context, “off book” implies that theater is (literally) authorized by the book—the dramatic text—that represents its essential core or contains its meaning. Yet the “book” is not essential, and the chapters here highlight higher education theater practices that throw away the “book” altogether, creating space for actors and learners to do more than memorize. The conventional rules and hierarchies of theater creation, research, training, and education are not always relevant, or desirable, in these contexts. Instead, the questions and practices that go beyond the “book” matter.
Lively and engaging, Off Book will be a valuable and unique resource for university students, drama educators, theater historians, and practicing devised theater artists.
"Synopsis" may belong to another edition of this title.
About the Author
Nicola Hyland is a senior lecturer and pouakorangi/program director of the Theatre Programme at Te Herenga Waka Victoria University of Wellington, New Zealand.
James McKinnon is a faculty member at Quest University Canada.
"About the title" may belong to another edition of this title.
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