Bowles, Byron and the Pope Controversy
Jacob van Rennes
Sold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
New - Soft cover
Condition: New
Ships from Germany to U.S.A.
Quantity: 2 available
Add to basketSold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
Condition: New
Quantity: 2 available
Add to basketNeuware - 'Bowles, Byron and the Pope Controversy' is a meticulous scholarly examination of one of the most significant literary disputes of the early nineteenth century. The conflict was ignited by William Lisle Bowles's 1806 edition of Alexander Pope's works, in which Bowles's critical assessments of Pope's moral character and poetic status sparked a fierce intellectual battle. Jacob Van Rennes provides a detailed account of the ensuing debate, which eventually drew in some of the greatest literary minds of the era, most notably Lord Byron.The work explores the core of the controversy: the clash between the artificial and the natural in poetry. Van Rennes analyzes the 'invariable principles of poetry' championed by Bowles and the vigorous defense of Pope's legacy led by Byron, who viewed Pope as a supreme artist of the social and ethical world. By documenting the series of pamphlets, letters, and public arguments that defined this clash, the book offers a deep dive into the shifting aesthetic values of the Romantic period. This study is an essential resource for those interested in the history of literary criticism, the evolution of British poetry, and the enduring reputation of 'Alexander Pope' within the Western canon.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Seller Inventory # 9781025316598
"Bowles, Byron and the Pope Controversy" is a meticulous scholarly examination of one of the most significant literary disputes of the early nineteenth century. The conflict was ignited by William Lisle Bowles's 1806 edition of Alexander Pope's works, in which Bowles's critical assessments of Pope's moral character and poetic status sparked a fierce intellectual battle. Jacob Van Rennes provides a detailed account of the ensuing debate, which eventually drew in some of the greatest literary minds of the era, most notably Lord Byron.
The work explores the core of the controversy: the clash between the artificial and the natural in poetry. Van Rennes analyzes the "invariable principles of poetry" championed by Bowles and the vigorous defense of Pope's legacy led by Byron, who viewed Pope as a supreme artist of the social and ethical world. By documenting the series of pamphlets, letters, and public arguments that defined this clash, the book offers a deep dive into the shifting aesthetic values of the Romantic period. This study is an essential resource for those interested in the history of literary criticism, the evolution of British poetry, and the enduring reputation of "Alexander Pope" within the Western canon.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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