Brainquake. This item is unavailable.
404 ratings by Goodreads
Language: English
Published by Hard Case Crime, 2014
- Softcover
- Used

Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas
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AbeBooks seller since July 2, 2009
Unavailable
Softcover
Condition: Used - Good
US$ 8.88
Item description from seller
Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Seller Inventory # G1781168199I3N10
- Title
- Brainquake
- Author
- Fuller, Samuel
- Publisher
- Hard Case Crime
- Publication year
- 2014
- Condition
- Good
- Dust jacket
- No Jacket
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1781168199
- ISBN 13
- 9781781168196
- Item weight
- 0.67 pounds
The bagmen who transport money for organized crime live by a set of rules: no personal relationships, no ties, no women…and never, ever look inside the bag you’re carrying. Paul Page was the perfect bagman, despite suffering from a rare brain disorder. But that ended the day he saw a beautiful Mob wife become a Mob widow. Now Paul is going to break every rule he’s lived by–even if it means he might be left holding the bag.
"Synopsis" may belong to another edition of this title.
About the Author
Crime reporter, freelance journalist, pulp novelist, screenwriter, World War II infantryman—Samuel Fuller (August 12, 1912 – October 30, 1997) was a jack of all trades before the high-school dropout directed his first film at age thirty-six. But once he was contacted by Poverty Row producer Robert L. Lippert, a fan of his writing, Fuller was turned on to cinema—his true calling. A singularly audacious visionary of the B-movie variety, Fuller would make muscular, minuscule pictures, starting with the one-two-three punch of I Shot Jesse James, The Baron of Arizona, and The Steel Helmet—the last a raw Korean War saga that was one of the few films of the period to address racism in America. Soon after, Fuller was scooped up by Twentieth Century Fox, but he was able to maintain his purposefully crude, elegantly stripped-down style and teeth-bared cynicism for such studio efforts as Fixed Bayonets! and Pickup on South Street. Eventually, Fuller returned to independent filmmaking, and in the sixties (after his artistic cred had been given a shot in the arm by the French New Wavers’ embrace of him as a major stylistic influence), he directed two of his most acclaimed titles, the pulpy and profound Shock Corridor and The Naked Kiss, both corrosive satires of American culture. Even in his career’s twilight, Fuller didn’t shy away from controversy: his early eighties social horror film White Dog was shelved by the studio for more than a decade due to its provocative, bloody investigation of American racism.
"About the title" may belong to another edition of this title.