Bridge Volume 23, Number 1: Data 1: Apparitions

Bridge Volume 23, Number 1: DATA 1: APPARITIONS

SECTIONS & EDITORS

Publisher & Editor-in-Chief Michael Work

DATA 1: APPARITIONS

A first in an occasional series of data-themed volumes

SECTIONS & EDITORS

Publisher & Editor-in-Chief Michael Workman

Architecture David Sundry

Couture Kristin Mariani

Dance & Performance Art Michelle Kranicke

Fiction Meghan Lamb

Philosophy Mark Tschaepe

Visual Art Laura Kina

Music Efua Osei

Cover Image: Allen Moore, 2022

CONTENTS

Letter from the Editor - Michael Workman

PUBLIC UTILITIES, the Bridge not for profit spotlight: CivicLab

POETRY - Jeanne Morel, Warren Leming

FICTION - Judith Brotman, Jae Green

FEATURE "Time Seen" by Johanna Drucker

VISUAL ART "Stock Charts" by Richard Minsky

INTERVIEW "Studio Visit" with Allen Moore by Michael Workman

CONTRIBUTORS

Fiction Illustrations by Maura Walsh

Johanna Drucker is Distinguished Professor and Breslauer Professor in the Department of Information Studies at UCLA. She is internationally known for her work in the history of graphic design, typography, experimental poetry, fine art, and digital humanities.Her most recent book, Inventing the Alphabet, was published by University of Chicago Press in 2022. Other new titles include Visualization and Interpretation (MIT Press, 2020), and Iliazd: Meta-Biography of a Modernist (Johns Hopkins University Press 2020), with Introduction to Digital Humanities (Routledge Spring, 2021).Drucker is also known for her artist's books which were the subject of a travelling retrospective, Druckworks: 40 years of books and projects, in 2012-2014.In 2014 she was elected to the American Academy of Arts and Sciences.A collection of her essays, What Is? (Cuneiform Press) was published in 2013 and Graphesis: Visual Forms of Knowledge Production (Harvard University Press) appeared in 2014. Digital_Humanities, with Anne Burdick, Peter Lunenfeld, Todd Presner, and Jeffrey Schnapp, (MIT Press) was published in 2012.Other work includes Diagrammatic Writing (Onomatopée, 2014), Fabulas Feminae (Litmus Press, 2015), The General Theory of Social Relativity, (The Elephants, 2018), Downdrift: An Eco-fiction (Three Rooms Press, 2018), and Off-World Fairy Tales, with Susan Bee (Litmus Press, 2020).

Richard Minsky is an American scholar of bookbinding and a book artist. He is the founder of the Center for Book Arts in New York City.Minsky was born in New York City in 1947. In 1960, Minsky obtained his first printing press at the age of 13. In 1968, he graduated cum laude in economics from Brooklyn College. Minsky was awarded a fellowship at Brown University, where he received his master's degree in economics. He pursued a Ph.D. at The New School for Social Research, but left after two years to pursue bookbinding, art and music. He studied bookbinding while at Brown with the University's master binder Daniel Gibson Knowlton.He founded the Center for Book Arts in 1974 after fourteen years experience as both a bookbinder and printer. Minsky served as the Center's Executive Director until 1977 and its President until 1978. He also served as the Director of Program Development and an instructor in hand bookbinding at the Center. Richard serves on the Book Art Theory subcommittee of the College Book Art Association. The Richard Minsky Archive is at Yale.

Michael Workman is a choreographer, language, visual and movement artist, dance and performance artist, writer, reporter, and sociocultural critic. In addition to his work at the Chicago Tribune, Guardian US, Newcity magazine, WBEZ Chicago Public Radio and elsewhere, Workman is also Director of Bridge, an artistic collective and 501 (c) (3) publishing and programming organization (bridge-chicago.org). His choreographic writing has been included in Propositional Attitudes, an "anthology of recent performance scores, directions and instructions" published by Golden Spike Press, and his Perfect Worlds: Artistic Forms & Social Imaginaries Vol. 1, the first in a 3-volume series, was released by StepSister Press in October 2018 with a day-long program of performances at the Museum of Contemporary Art, Chicago. Most recently, two of his scores were accepted for publication in a special edition of the Notre Dame Review focusing on the work of participants in the &NOW Festival of Innovative Writing.