COMPOSING INTERACTIVE MUSIC Techniques and Ideas Using Max (includes CD-ROM)
Language: English
Published by The MIT Press, Cambridge / London, 1999
- Hardcover
- Used

Seller: J. W. Mah, Burnaby, BC, CanadaJ. W. Mah
AbeBooks seller since October 30, 1997
Condition: Used - Fine
US$ 19.95
Quantity: 1 available
Add to basketItem description from seller
(USA) 2nd printing 1999. No markings, includes the CD-ROM unopened to the pouch to the back cover, Fine in Fine dust jacket. Hardcover, 350pp, index, line diagrams. Interactive music refers to a composition or improvisation in which software interprets live performances to produce music generated or modified by computers. In Composing Interactive Music, Todd Winkler presents both the technical and aesthetic possibilities of this increasingly popular area of computer music. His own numerous compositions have been the laboratory for the research and development that resulted in this book.The author's examples use a graphical programming language called Max. Each example in the text is accompanied by a picture of how it appears on the computer screen. The same examples are included as software on the accompanying CD-ROM, playable on a Macintosh computer with a MIDI keyboard. (2.7 JM LVR 206/1 Size: 8vo - over 7¾" - 9¾".
Seller Inventory # 07102
- Title
- COMPOSING INTERACTIVE MUSIC Techniques and Ideas Using Max (includes CD-ROM)
- Author
- Winkler, Todd
- Publisher
- The MIT Press, Cambridge / London
- Publication year
- 1999
- Condition
- Fine
- Dust jacket
- Fine
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 026223193X
- ISBN 13
- 9780262231930
- Seller catalogs
- Music and Musicians
The author's examples use a graphical programming language called Max. Each example in the text is accompanied by a picture of how it appears on the computer screen. The same examples are included as software on the accompanying CD-ROM, playable on a Macintosh computer with a MIDI keyboard.
Although the book is aimed at those interested in writing music and software using Max, the casual reader can learn the basic concepts of interactive composition by just reading the text, without running any software. The book concludes with a discussion of recent multimedia work incorporating projected images and video playback with sound for concert performances and art installations.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
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