This is Called Moving: A Critical Poetics of Film (eng)

Child, Abigail

ISBN 10: 0817351604 / ISBN 13: 9780817351601

Published by University Alabama Press, 2005

About this Item

Seller Inventory # 066e34a302ad72e21ccf3aa933f8bec8

Bibliographic Details

• Title: This is Called Moving: A Critical Poetics of Film (eng)
• Publisher: University Alabama Press
• Publication Date: 2005
• Language: English
• ISBN 10: 0817351604
• ISBN 13: 9780817351601
• Binding: Soft cover
• Condition: new
• Weight: 0.5 kilograms

About this title

Synopsis

A pioneering exploration of how poetry and experimental cinema intersect to reconstruct meaning across visual and linguistic forms.

As the writer, director, producer, and cinematographer of almost all her 30 films, videos, and shorts, Abigail Child has been recognized as a major and influential practitioner of experimental cinema since the early 1970s. Hallmarks of her style are the appropriation and reassembly of found footage and fragments from disparate visual sources, ranging from industrial films and documentaries to home movies, vacation photography, and snippets of old B movies.

The resulting collages and montages are cinematic narratives that have been consistently praised for their beauty and sense of wonder and delight in the purely visual. At the same time, Child's films are noted for their incisive political commentary on issues such as gender and sexuality, class, voyeurism, poverty, and the subversive nature of propaganda.

In the essays of This Is Called Moving, Child draws on her long career as a practicing poet as well as a filmmaker to explore how these two language systems inform and cross-fertilize her work. For Child, poetry and film are both potent means of representation, and by examining the parallels between them―words and frames, lines and shots, stanzas and scenes―she discovers how the two art forms re-construct and re-present social meaning, both private and collective.

About the Author

Abigail Child is Professor of Film and Animation at the School of the Museum of Fine Arts in Boston and author of A Motive for Mayhem and Artificial Memory.

Tom Gunning is Professor of Art History at the University of Chicago and author of D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph.