Camera-Cut-Composition: A Learning Model | Aaron Sultanik | Cornwall Books, 1995. In-8� cartonn�, 158 p. Plats de couverture propres. Dos solide. Int�rieur frais sans soulignage ou annotation. Exemplaire de biblioth�que : petit code barre en pied de 1re de couv., cotation au dos, rares et discrets petits tampons � l'int�rieur de l'ouvrage. Bon �tat g�n�ral pour cet ouvrage [BB16+] Pour les exp�ditions internationales, nous consulter au pr�alable pour l ajustement des frais de port qui seront peut-�tre revus � la baisse/ For international shipments, please contact us in advance to adjust shipping costs. |.

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Bibliographic Details

Title: Camera-Cut-Composition: A Learning Model
Publisher: Cornwall Books
Publication Date: 1995
Language: English
ISBN 10: 0845348523
ISBN 13: 9780845348529
Binding: Hardcover
Condition: Bon

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Synopsis

Camera-Cut-Composition: A Learning Model is a film rhetoric based on the uniquely cognitive nature of motion pictures. It is designed for filmmaking and film studies programs. A historical survey of breakthrough technical advances and artistic triumphs is combined with an analysis of the filmmaking process to show the constructive perceptual unity surrounding the making and interpretation of motion pictures.
According to author Aaron Sultanik, the viewer's response to a film derives from three visually ascertained, dramatically realized cognitive elements: (1) the multiple points of view of a camera's placement, angle, and mobility; (2) the dynamic spatiotemporal assemblage of a film's editing; (3) and the final meaning of a film through the story's pictorial stylization. Sultanik offers instructive analogies to classic texts in rhetoric, visual perception, and film criticism to define a movie's distinct aesthetic properties and their perceptual-cognitive interdependence.

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Librairie avec un fonds g�n�raliste, avec une dominante en sciences humaines et sociales.

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