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A BEAUTIFUL, NEAR-FINE SPECIMEN OF POST-WAR DUBLIN TYPOGRAPHY AND GRAPHIC ILLUSTRATION, MARKING THE LITERARY DEBUT OF COBURN BRITTON. This beautifully preserved copy of Coburn Britton's poetic suite represents the author's very first published book, issued as one of only 320 copies by Liam Miller's legendary Dolmen Press. Serving as a foundational example of post-war Irish book design, this slim volume single-handedly resurrected fine printing in Ireland, filling the void left by the pre-war Dun Emer and Cuala Presses. The landmark collaborative production features striking modernist woodcuts by celebrated Dublin artist Harry Kernoff alongside fluid ink washes by abstract painter Noel Sheridan. It represents a deliberate bridge between the traditional Irish book arts revival and the mid-century avant-garde, capturing a moment when independent typography matched international fine-press aesthetics. KEY FEATURES +++ Visuals: Illustrated throughout with bold, expressionistic black-and-white woodcuts by Harry Kernoff and complementary textured ink washes by Noel Sheridan. The front wrap features an striking Kernoff woodcut printed in red. +++ Binding: Original cream-colored stiff card-stock stapled wrappers with the printed outer paper covers pasted over the spine line. +++ Content: The complete text of Britton's introspective poetry, including his focal seasonal piece, Three Christmas Bells. +++ Imprint: Dublin, Ireland: The Dolmen Press, November 1959. Limited First Edition. +++ Specs: 5.25 by 7.5 inches; unpaginated text block [2 blank, 2, 7-38, 1, 1 blank]. LIMITATION: This volume represents the complete first and only printing of this collection. As stated in the colophon on the final printed page, the edition was strictly limited to a small press run of only 320 copies printed on fine paper at the Dolmen Press, Dublin, before the type was distributed. CONDITION: Near Fine. The stapled card wrappers remain firm, square, and structurally secure, with no splitting or pulling along the pasted-over outer paper spine. The interior pages are exceptionally clean, bright, and completely free of thumbing, foxing, or owner inscriptions. The delicate cream-colored outer wrappers show only minimal, uniform shelf handling and very minor, faint smudging to the rear panel, consistent with standard storage. A collection-grade survival of a fragile, small-press pamphlet. HISTORICAL SIGNIFICANCE: THE DOLMEN PRESS AND MODERN IRISH BOOK ARTS-A REVIVAL OF IRISH FINE PRINTING. Founded in Dublin in 1951 by architect, designer, and publisher Liam Miller, The Dolmen Press became one of the most influential forces in the revival of modern Irish fine printing. The press provided an important home for Irish poets, artists, and writers whose work benefited from careful design, illustration, and craftsmanship beyond the requirements of conventional commercial publishing. POETRY OF THE POST-INDEPENDENCE GENERATION. This 1959 edition of Cap with Bells reflects the collaborative spirit that defined Dolmen's early achievement. Coburn Britton's poetry belongs to a generation of Irish writers exploring personal, spiritual, and emotional landscapes in the decades following independence. Through familiar religious and seasonal imagery, Britton transforms traditional forms into intimate reflections on memory, belief, and human experience. LITERATURE AND VISUAL ART IN COLLABORATION. The volume also demonstrates Dolmen Press's commitment to the integration of literature and visual art. Harry Kernoff, a major figure in twentieth-century Irish art, contributes bold structural woodcuts, while Noel Sheridan provides complementary abstract imagery that expands the emotional atmosphere of the poems. Together with Liam Miller's careful typography and production choices, these elements create a unified work of mid-century Irish book art. A DOCUMENT OF IRISH CULTURAL RENEWAL. Cap with Bells stands as an important example of the cultural renewal taking place in Dublin during.
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