Synopsis
Steve Englehart and Sal Buscema take Captain America and the Falcon on a journey through the madness and machinations of Doctor Faustus! The mind-bending Doctor has captured Sharon Carter, A.K.A. Agent 13 - but little does Cap know that Faustus also has Peggy Carter, Cap's long-lost love from World War II! Then, Nick Fury and S.H.I.E.L.D. conscript Cap into the fight against the Yellow Claw. But the real menace to mankind is subtly concealed: A Secret Empire moves behind the face of American power! Their goal is to frame and discredit Captain America, replacing him with their own "patriotic" icon. And only the combined efforts of Cap, the Falcon, S.H.I.E.L.D. and the X-Men can hope to topple them! It's a shocking saga that defined Captain America for the '70s! Collecting CAPTAIN AMERICA (1968) #160-179.
About the Author
Steve Englehart’s history-making contributions to the Marvel Universe began with the Beast’s solo feature in Amazing Adventures, in which the eloquent X-Man first assumed furry form. As Avengers writer, he masterminded such major events as “The Avengers/Defenders War” (in both teams’ titles) and “The Celestial Madonna Saga.” In Captain America, he identified and solved the “mystery” of the 1950s Captain America (later revived by Ed Brubaker), and gave the true Cap the alternate identity of Nomad. Englehart’s Dr. Strange storyline in Marvel Premiere established the character as Sorcerer Supreme and covered the creation of the universe itself. At DC, he helped revamp Batman, Green Lantern, Superman and other major heroes for the 1970s. Back at Marvel, he wrote the first few years of West Coast Avengers and Silver Surfer. His published novels include Countdown to Flight, Hellstorm (part of the TALON Force series), Majorca, The Point Man and, with wife Terry Beach, books in the DNAgers young-adult series. Englehart has also written TV episodes and designed video games.
After a Justice League of America stint at DC, Mike Friedrich moved to Marvel and to Iron Man, where, with Jim Starlin, he brought Thanos and Drax the Destroyer into the Marvel Universe. He and Starlin continued Thanos' cosmic saga in Captain Marvel. Friedrich also wrote Captain America and various features for Marvel's anthology titles. Back at DC, he wrote regularly for Batman, Green Lantern, Flash, and others.
After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than 100 issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.
Alan Weiss was a popular contributor to Avengers and Captain Marvel throughout the 1970s and 1980s. More recently, he rendered a tale of a Civil War-era Batman in Batman: The Blue, the Grey and the Bat.
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