Caught In The Light

On assignment in Vienna, photographer Ian Jarrett falls suddenly and desperately in love with a woman he meets by pure chance, Marian Esguard. Back in England, he seperates from his wife and goes to meet Marian at an agreed rendezvous, only to hear her tell him on the telephone that she will not after all be coming. Then she vanishes from his life as mysteriously as she entered it.Searching frantically for the woman for whom he has sacrificed everything, Jarrett stumbles on a Dorset churchyard full of gravestones of dead Esguards. He also meets a psychotherapist, Daphne Sanger. She too is looking for a former patient who has come to believe she is the reincarnation of Marian Esguard, who lived in Regency times and, it emerges, may have invented photography ten years before Fox Talbot. But if so, why is Marian Esgaurd unknown to history And who and where is the woman he met and fell in love with in ViennaJarrett sets out to solve a mystery whose origins may be 170 years old and lie amid the magical-seeming properties of early photography. But at the end of the search a trap awaits him. He is caught in a web of deception, the revelation of which is Robert Goddard's most cunning twist to date.

If you've read any of Robert Goddard's topnotch psychological thrillers (including Beyond Recall, Out of the Sun, and Hand in Glove), you know that he specializes in setting up an impossible situation and then showing how it is in fact diabolically possible. Caught in the Light is no exception.

When photographer Ian Jarrett, on assignment in snowy Vienna, meets and falls in love with a mysterious woman named Marian Esguard, the sex is terrific and their future back in England looks happy. Jarrett walks out on his wife and 15-year-old daughter and goes off to await his new lover. But she doesn't show up, and Jarrett decides to track her down. In the process he unearths an out-of-this-world mystery: Marian may well be a ghost from the past (and a ghost with a grudge). That would certainly explain why none of the pictures of Marian come out. During the 19th century, a woman of the same name claimed to have discovered the techniques of modern photography, but she never received the credit for it.

Quickly--perhaps a little too quickly--other people appear on the scene to explain the unexplainable. There's the London psychotherapist who has been treating Eris Moberly (the woman who calls herself Marian Esguard); there's a slick financier with a shadowy background and unknown motives. But despite these secondary characters popping out of the woodwork, Goddard is a master craftsman: he lures us into his fun house expertly, then guides us through the dark tunnels, cackling madly. An added bonus is a reverence for the history of photography, which lights up the story. --Dick Adler