Synopsis
Full Title: "The Centralia Conspiracy"Description: "The Making of the Modern Law: Trials, 1600-1926" collection provides descriptions of the major trials from over 300 years, with official trial documents, unofficially published accounts of the trials, briefs and arguments and more. Readers can delve into sensational trials as well as those precedent-setting trials associated with key constitutional and historical issues and discover, including the Amistad Slavery case, the Dred Scott case and Scopes "monkey" trial."Trials" provides unfiltered narrative into the lives of the trial participants as well as everyday people, providing an unparalleled source for the historical study of sex, gender, class, marriage and divorce.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++MonographHarvard Law School Libraryc.1920
About the Author
Ralph Hosea Chaplin (1887—1961) was an American writer, artist and labor activist. At the age of seven, he saw a worker shot dead during the Pullman strike in Chicago, Illinois. He had moved with his family from Ames, Kansas to Chicago in 1893. During a time in Mexico he was influenced by hearing of the execution squads established by Porfirio Diaz, and became a supporter of Emiliano Zapata. On his return, he began work in various union positions, most of which were poorly paid. Some of Chaplin's early artwork was done for the International Socialist Review and other Charles H. Kerr publications. For two years Chaplin worked in the strike committee with Mother Jones for the bloody Kanawha County, West Virginia strike of coal miners in 1912-13. These influences led him to write a number of labor oriented poems, one of which became the words for the oft-sung union anthem, "Solidarity Forever". Chaplin then became active in the Industrial Workers of the World (the IWW, or "Wobblies") and became editor of its eastern U.S. publication Solidarity. In 1917 Chaplin and some 100 other Wobblies were rounded up, convicted, and jailed under the Espionage Act for conspiring to hinder the draft and encourage desertion. He wrote Bars And Shadows: The Prison Poems while serving four years of a 20-year sentence. Although he continued to work for labor rights after his release from prison, Chaplin was very disillusioned by the aftermath of the Russian Revolution. However, he was also not pleased by the course of New Deal liberalism. Chaplin maintained his involvement with the IWW, serving in Chicago as editor of its newspaper, the Industrial Worker, from 1932 to 1936. He became active in the cause of preventing Communist infiltration in American unions. Eventually Chaplin settled in Tacoma, Washington, where he edited the local labor publication. From 1949 until his death he was curator of manuscripts for the Washington State Historical Society. He is credited with designing the now widely used anarcho-syndicalist image, the black cat. As its stance indicates, the cat is meant to suggest wildcat strikes and radical unionism.
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