Charles Garnier: Designs for the Paris Opera House Colouring Book. This item is unavailable.
Language: English
Published by Pomegranate Communications, 2017
- Softcover
- Used

Seller: WorldofBooks, Goring-By-Sea, WS, United KingdomWorldofBooks
5-star seller
AbeBooks seller since March 16, 2007
Unavailable
Softcover
Condition: Used - Very good
US$ 13.90
Item description from seller
The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Seller Inventory # GOR008887557
- Title
- Charles Garnier: Designs for the Paris Opera House Colouring Book
- Publisher
- Pomegranate Communications
- Publication year
- 2017
- Condition
- Very Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0764979779
- ISBN 13
- 9780764979774
- Illustrator
- Garnier, Charles
- Item weight
- 567 grams
Casebound book with a special lay-flat binding and sturdy, flexible cover. 108 pages with 50 images to color on high-quality paper. Size: 8 x 11 in. Coloring pages are blank on the back so they can be cut out and displayed.
"Synopsis" may belong to another edition of this title.
From the Back Cover
The opera house in Paris is one of the most famous auditoriums in the world. Designed in 1861 by Charles Garnier, a young, unknown architect, the opera house opened with a lavish gala in January 1875 after many setbacks, including a swampy building site that had to be pumped out continually during construction. Part of the great reconstruction of Paris by Emperor Napoleon III of the Second Empire, the building is in the Neo-Baroque style. It is also classified as Beaux-Arts, and has been the inspiration for many other grand buildings. Built on a three-acre site, it boasts more than seventeen stories and seats an audience of 2,200. Marble friezes, columns, and statuary fill the auditorium, which itself occupies only a fifth of the space. The interior was designed to facilitate social interaction, with landings and alcoves along its stairways and corridors, perfect for conversation during intermission. The building is said to be haunted because in 1896 a counterweight to the massive chandelier fell and killed a member of the audience. Gaston Leroux was inspired by this, as well as the subterranean lake, when he wrote the Phantom of the Opera. The opulent ornamentation and monumental style make the opera house one of the architectural masterpieces of the period. Charles Garnier's design was so beloved that the building came to be called Palais Garnier.
"About the title" may belong to another edition of this title.