Chaucer and Fame Reputation and Reception

The questions of fame and reputation are central to Chaucer's writings; the essays here discuss their various treatments and manifestations.

Fama, or fame, is a central concern of late medieval literature: where fame came from, who deserved it, whether it was desirable and how it was acquired and kept. An interest in fame was not new but was renewed and rethought within the vernacular revolutions of the later Middle Ages.
The work of Geoffrey Chaucer collates received ideas on the subject of fama, both from the classical world and from the work of his contemporaries. Chaucer's place in these intertextual negotiations was readily recognized in his aftermath, as later writers adopted and reworked postures which Chaucer had struck, in their own bids for literary authority. This volume tracks debates onfama which were past, present and future to Chaucer, using his work as a centre point to investigate canon formation in European literature from the late Middle Ages and into the Early Modern period.

Isabel Davis is Senior Lecturer in Medieval Literature at Birkbeck, University of London; Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London.

Contributors: Joanna Bellis, Alcuin Blamires, Julia Boffey, Isabel Davis, Stephanie Downes, A.S.G. Edwards, Jamie C. Fumo, Andrew Galloway, Nick Havely, Thomas A. Prendergast, Mike Rodman Jones, William T. Rossiter, Elizaveta Strakhov.

A. S. G. Edwards is Honorary Professor of Medieval Manuscripts at the University of Kent at Canterbury.

JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London.

MIKE RODMAN JONES is Associate Professor of Medieval and Early Modern Literature in the School of English, University of Nottingham.

WILLIAM ROSSITER Senior Lecturer in Medieval and Early Modern Literature, University of East Anglia.