Christophe Honore: A Critical Introduction (Contemporary Approaches to Film and Media)
Language: English
Published by Wayne State University Press, 2015
Series: Book 41 of 79 - Contemporary Approaches to Film and Media
- Softcover
- New

Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
AbeBooks seller since February 27, 2001
Condition: New
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Add to basketItem description from seller
Studies Honore as an auteur who intervenes in French filmmaking practices and culture with a queer "camera-stylo." Series: Contemporary Approaches to Film and Media Series. Num Pages: 320 pages, 118 illustrations. BIC Classification: APFB. Category: (G) General (US: Trade). Dimension: 229 x 152 x 20. Weight in Grams: 525. . 2015. paperback. Not a first edition copy. . . .
Seller Inventory # 9780814338636
- Title
- Christophe Honore: A Critical Introduction (Contemporary Approaches to Film and Media)
- Author
- Gerstner, David A.
- Publisher
- Wayne State University Press
- Publication year
- 2015
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0814338631
- ISBN 13
- 9780814338636
- Series
- Book 41 of 79: Contemporary Approaches to Film and Media
Considering each of the trilogy films in turn, the authors take a close look at Honoré's cinematic technique and how it engages with France's contemporary cultural landscape. With careful attention to the complexity of Honoré's work, they consider critically contested issues such as the filmmaker's cinematic strategies for addressing AIDS, the depth of his LGBTQ politics, his representations of death and sexual desire, and the connections between his films and the New Wave. Anchored by a comprehensive interview with the director, the authors incorporate classical and contemporary film theories to offer a range of cinematic interventions for thinking queerly about the noted film author.
Christophe Honoré: A Critical Introduction reconceptualizes the relationship between film theory and queer theory by moving beyond predominant literary and linguistic models, focusing instead on cinematic technique. Students and teachers of queer film will appreciate this thought-provoking volume.
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