Clay Walls. This item is unavailable.
281 ratings by Goodreads
Language: English
Published by University of Washington Press, 1990
- Softcover
- Used

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Unavailable
Softcover
Condition: Used - Good
US$ 6.58
Item description from seller
Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Seller Inventory # G029596927XI3N10
- Title
- Clay Walls
- Author
- Ronyoung Kim
- Publisher
- University of Washington Press
- Publication year
- 1990
- Condition
- Good
- Dust jacket
- No Jacket
- Binding
- Paperback
- Language
- English
- ISBN 10
- 029596927X
- ISBN 13
- 9780295969275
- Item weight
- 0.86 pounds
"A whole generation of Korean immigrants and their American born children could have lived and died in the United States without anyone knowing they had been here. I could not let that happen" --Kim Ronyoung
Clay Walls weaves the complex threads of Korean culture into the tapestry of American society while telling the story of the early Korean immigrants, who arrived in Los Angeles in the decade prior to World War II, and of their American born children.
Haesu, a yangban of the nobility class, is betrothed against her wishes to Chun, a farmer's son. Bound not by love, but by tradition, she follows him to America where they begin their life together. Born in a land where class defines one s status, Haesu s rank in the United States is acknowledged only by her fellow Koreans. Servility is anathema to her and she fiercely resists the slights she experiences in California.
Chun, on the other hand, embodies the Taoist mentality. "If you want muddy waters to become clear, you have to lie still," he tells Haesu. He seeks no affirmation of his worth from strangers, wanting it only from his resentful wife.
These two irreconcilable strains of Eastern tradition, personified in Heasu and Chun, are rerated as one by a disinterested America which fails to distinguish one Asian immigrant from another. Within the walls of their home, however, the Chuns wage unrelenting war over their differences. It remains for their children, born in the United States, to integrate these conflicts and, ultimately, find their place in the New World.
Clay Walls weaves the complex threads of Korean culture into the tapestry of American society while telling the story of the early Korean immigrants, who arrived in Los Angeles in the decade prior to World War II, and of their American born children.
Haesu, a yangban of the nobility class, is betrothed against her wishes to Chun, a farmer's son. Bound not by love, but by tradition, she follows him to America where they begin their life together. Born in a land where class defines one s status, Haesu s rank in the United States is acknowledged only by her fellow Koreans. Servility is anathema to her and she fiercely resists the slights she experiences in California.
Chun, on the other hand, embodies the Taoist mentality. "If you want muddy waters to become clear, you have to lie still," he tells Haesu. He seeks no affirmation of his worth from strangers, wanting it only from his resentful wife.
These two irreconcilable strains of Eastern tradition, personified in Heasu and Chun, are rerated as one by a disinterested America which fails to distinguish one Asian immigrant from another. Within the walls of their home, however, the Chuns wage unrelenting war over their differences. It remains for their children, born in the United States, to integrate these conflicts and, ultimately, find their place in the New World.
"Synopsis" may belong to another edition of this title.
Review
"This earnest novel is about Korean immigrants who leave Korea in haste in 1919 to escape Japanese persecution and settle among a large, politically inactive Korean community in Los Angeles...Political-historical moments are the pearls of the novel ...One is grateful for being invited into that closeted but lively world." --The New York Times
Kim Ronyoung's writing is true to her unblinking vision of reality. Her portrayal of Chun reminds me of D.H. Lawrence's portrayal of the miner-father in Sons and Lovers. The passage of this family from 1920 to 1945 is a long and extremely arduous journey, but it is both necessary and triumphant. --San Francisco Chronicle
Kim Ronyoung's writing is true to her unblinking vision of reality. Her portrayal of Chun reminds me of D.H. Lawrence's portrayal of the miner-father in Sons and Lovers. The passage of this family from 1920 to 1945 is a long and extremely arduous journey, but it is both necessary and triumphant. --San Francisco Chronicle
"About the title" may belong to another edition of this title.